Synopsis
Stanislavski and the Actor offers a clear, modern presentation of Konstantin Stanislavski's methods of actor training and rehearsal. It is based on the course Stanislavski designed and taught with a team of hand-picked assistants in the last three years of his life (1935-38) at the Opera-Dramatic Studio in Moscow. Jean Benedetti now reconstructs that course. Stanislavski and the Actor is the manual which Stanislavski never had time to write. Using notes made by Stanislavski's assistants, exercises and improvisations used in class, transcripts of Stanislavski's own master classes (translated into English for the first time) and his knowledge of Stanislavski's earlier writings, Benedetti builds up a comprehensive description of the 'system' in contemporary language that is easy to understand by today's actors and teachers. He also shows that Stanislavski's revolutionary teachings about acting still have a wide application now.
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About the Author
Jean Benedetti is a leading authority on Stanislavski. A former Principal of Rose Bruford College, his publications, Stanislavski and the Actor, The Moscow Art Theatre Letters, Stanislavski A Life in Art, The Art of the Actor, and two new Stanislavski translations, An Actors Work on Himself Parts 1 & 2, and My Life in Art.
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Stanislavski and the Actor: the Final Acting Lessons, 1935-38 : The Final Acting Lessons, 1935-38
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Bloomsbury Publishing Plc, 1998
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Stanislavski and the Actor: The Final Acting Lessons, 1935-38
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