The ongoing conversation between Jose Gaspar Rodriguez Francia, the dying Supreme Dictator of Paraguay, and Policarpo Patino, his longtime secretary and much-abused servant, is periodically juxtaposed with official, and often contradictory, accounts of Francia's life and actions
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The most magnificent work, most magnificently translated, to come from Spanish into English in almost a quarter of a century . . . Sort of a political As I Lay Dying by way of Tristram Shandy. Every textual fold is pleated by sumptuous wordplay; arcane, absurd, and (mostly) accurate annotation and quotation; as well as fact so much stranger than fiction that nobody knows what evil lurks in the mind of what possible man.
I the Supreme was first published in Spanish in 1974. It is a shame that we have had to wait for so long for its publication in English, for its breadth of vision and ambition make it important in any language.
Now that a superb English translation of this dauntingly complex work is at last available, readers in this country will be in a position to see for themselves why Latin American critics have been moved to invoke the names of Joyce and Musil, Cervantes and Rabelais to describe the breadth and ambition of I the Supreme.
A text of a verbal density that recalls the later James Joyce, a web of intertextual reference never seen in modern Spanish outside of Borges, Roa Bastos' novel has challenged and fascinated thousands of readers around the world . . . A highly serious yet comic novel.
These passages reverberate with a fierce surrealism peopled with dwarves, women warriors and clairvoyant animals; studded with Borgesian images of mirrors and labyrinths, mystical eggs and blankets made of batskin, and embroidered with subsidiary tales about madness, death, and humiliation . . . A prodigious meditation not only on history and power, but also on the nature of language itself.
The novel's true achievement is one of tone and voice. The language is a triumph almost as much for the translator as for the author: ebulliently resourceful, brilliant in its vitriol and vituperation, rabelaisian in its extravagance.
Augusto Roa Bastos is himself a supreme find, maybe the most complex and brilliant Latin American novelist of all . . . What a glory of echoing voices this Paraguayan portmanteau is, more Joycean than Cortazar's Hopscotch, every bit as volcanic and visionary as Lezama Lima's Paradiso or Osman Lins's Avalovara . . . I the Supreme is a work of graceful, voluminous genius, an Everest of fiction.
A richly textured, brilliant book an impressive portrait, not only of El Supremo, but of a whole colonial society in the throes of learning how to swim, or how best to drown, in the seas of national independence . . . I the Supreme is one of the milestones of the Latin American novel.
I the Suprem
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