Composed chiefly of Updike's book reviews of the past eight years, this collection includes pieces on Edmund Wilson, Vladimir Nabokov, and Muriel Spark, on actresses Doris Day and Louise Brooks and an appendix of imaginary interviews, humorous pieces, and essays
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John Updike was born in 1932 in Shillington, Pennsylvania. He is the author of over fifty books, including The Poorhouse Fair; the Rabbit series (Rabbit, Run; Rabbit Redux; Rabbit Is Rich; Rabbit At Rest); Marry Me; The Witches of Eastwick, which was made into a major feature film; Memories of the Ford Administration; Brazil; In the Beauty of the Lilies; Toward the End of Time; Gertrude and Claudius; and Seek My Face. He has written a number of collections of short stories, including The Afterlife and Other Stories and Licks of Love, which includes a final Rabbit story, Rabbit Remembered. His essays and criticism first appeared in publications such as the New Yorker and the New York Review of Books, and are now collected into numerous volumes. Collected Poems 1953-1993 brings together almost all of his verse, and a new edition of his Selected Poems is forthcoming from Hamish Hamilton.
His novels, stories, and non-fiction collections have won have won the Pulitzer Prize, the National Book Award, the PEN/Faulkner Award, the American Book Award, the National Book Critics Circle Award, the Rosenthal Award and the Howells Medal.
Updike graduated from Harvard College in 1954, and spent a year at Oxford's Ruskin School of Drawing and Fine Art. From 1955 to 1957 he was a member of staff at the New Yorker, and he lived in Massachusetts from 1957 until his death in January 2009.
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Paperback. Condition: Very Good. WINER OF THE NATIONAL BOK CRITICS CIRCLE AWARD Writing criticism is to writing fiction and poetry as hugging the shore is to sailing in the open sea, writes John Updike in his Foreword to this collection of literary considerations. But the sailor doth protest too much: This collection begins somewhere near deep water, with a flotilla of short fiction, humor pieces, and personal essays, and even the least of the reviews here--those that come about and draw even closer to the land with another nine-point quotation--are distinguished by a novelist's style, insight, and accuracy, not just surface sparkle. Indeed, as James Atlas commented, the most substantial critical articles, on Melville, Hawthorne, and Whitman, go out as far as Updike's fiction: They are the sort of ambitious scholarly reappraisal not seen in this country since the death of Edmund Wilson. With Hugging the Shore, Michiko Kakutani wrote, Updike established himself as a major and enduring critical voice; indeed, as the pre-eminent critic of his generation. Seller Inventory # CIN0394724976VG