The surprising story of a conservative Connecticut businessman who brought modernism to America follows Chick Austin on his post-World War I crusade to introduce Americans to Picasso, Dali, Mondrian, Balthus, and many others. 12,500 first printing.
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Eugene R. Gaddis is the William G. DeLana Archivist and Curator of the Austin House at the Wadsworth Atheneum in Hartford, Connecticut. He is the editor and co-author of Avery Memorial: The First Modern Museum and lectures frequently on American cultural history. A graduate of Amherst College, he holds a Ph.D. in history from the University of Pennsylvania. He lives in West Hartford, Connecticut.
Chick Austin is the story, in Virgil Thomson's words, of "a whole cultural movement in one man." Becoming director of Hartford's Wadsworth Atheneum at the age of twenty-six, Austin immediately set about to introduce modern art to America and to transform this conservative insurance capital into a cultural mecca that would become the talk of the art world during the yeasty years between the two world wars.
The first in the United States to mount a major Picasso retrospective, Austin was soon acquiring works by Dalí, Mondrian, Miró, Balthus, Max Ernst, and Alexander Calder. In the museum's new theater (which he designed), he staged the premiere of the revolutionary Gertrude Stein and Virgil Thomson opera Four Saints in Three Acts (with an all-black cast). At Lincoln Kirstein's instigation, he brought Balanchine to America. And he embraced all the new art forms, making film, photography, architecture, and contemporary music part of the life of his museum. Fo
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