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The Floating Opera and The End of the Road - Softcover

 
9780385240895: The Floating Opera and The End of the Road
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"The Floating Opera" and "The End Of The Road" are John Barth's first two novels. Their relationship to each other is evident not only in their ribald subject matter but in the eccentric characters and bitterly humorous tone of the narratives. Both concern strange, consuming love triangles and the destructive effect of an overactive intellect on the emotions. Separately they give two very different views of a universal human drama.

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About the Author:
John Barth was born on May 27, 1930, in Cambridge, Maryland. As a student at Johns Hopkins University he was fascinated by Oriental tale-cycles and medieval collections, a body of literature that would later influence his own writing. He received his BA from Johns Hopkins in 1951 and his MA in 1952. He has held professorships at Pennsylvania State University, the State University of New York at Buffalo, and Boston University, and taught in the English and creative writing programs at Johns Hopkins. Barth's first novel, The Floating Opera (1956), was nominated for the National Book Award. The End of the Road (1958) was also critically praised. In 1960, The Sot-Weed Factor--a comic historical novel--established Barth's reputation. Giles Goat-Boy (1966) was a huge critical and commercial success, after which he revised and republished his first three novels. Lost in the Funhouse, a book of interconnected stories, earned him a second nomination for the National Book Award. His other works are Chimera (1972), a collection of three novellas, which won the National Book Award; Letters (1979), an epistolary novel; Sabbatical: A Romance (1982); and The Friday Book (1984), a collection of essays.
Synopsis:
Tells the stories of a man's struggle with the idea of suicide and of a bed-hopping threesome brought together by a strange doctor-psychiatrist-mentor.

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Book Description Paperback. Condition: new. Paperback. From the author of National Book Award-nominated Lost in the Funhouse. John Barth's first two novels are both existential comedies featuring strange, consuming love triangles and the destructive effects of an overactive intellect on the emotions." Barth ran riot over literary rules and conventions, even as he displayed, with meticulous discipline, mastery of and respect for them."-The New York TimesThe relationship between these two darkly comic novels is evident not only in their ribald and philosophical subject matter but in their eccentric characters and bitterly humorous tone. The protagonist of The Floating Opera isTodd Andrews, an orphaned war veteran who has been sleeping with his friend's wife. Todd awakens in the morning determined to commit suicide, having concluded that nothing in life has intrinsic value--but then spends the day methodically reasoning his way into disregarding that fact and remaining a part of the floating opera of life.In The End of the Road, a man named Jacob Horner finds himself literally paralyzed by an inability tochoose a course of action from all possibilities. He begins an unconventional course of "mythotherapy" treatment at the Remobilization Farm, but his eccentric doctor's directives lead him into a tragic love triangle and from there to the nihilistic end of the road.Separately these two novels give two very different views of the universal human quest for meaning, and together they form the beginnings of an illustrious literary career. Tells the stories of a man's struggle with the idea of suicide and of a bed-hopping threesome brought together by a strange doctor-psychiatrist-mentor. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780385240895

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Book Description Paperback. Condition: New. This volume contains the author's first two novels. their relationship to each other is evident not only in their ribald subject matter but in the eccentric characters and bitterly humorous tone of the narratives. Both concern strange,consuming love triangles and the destructive effect of an over-active intellect on the emotions. Separately they give two very different views of a universal human drama. Together they illustrate the beginnings of an illustrious career. 442p. Seller Inventory # 3295889

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