Beck Davitch looks back on her thirty-year marriage to Joe and her role as a mother and manager of the Open Arms, wondering if she is living the life she was meant to live and reconsidering her dedication to the family business. 15,000 first printing. (General Fiction)
"synopsis" may belong to another edition of this title.
The first sentence of Anne Tyler's 15th novel, Back When We Were Grown Ups, sounds like something out of a fairy tale: "Once upon a time, there was a woman who discovered she had turned into the wrong person." Alas, this discovery has less to do with magic than with a late-middle-age crisis, which is visited upon Rebecca Davitch in the opening pages of the book. At 53, this perpetually agreeable widow is "wide and soft and dimpled, with two short wings of dry, fair hair flaring almost horizontally from a centre part". Given her role as the matriarch of a large family--and the proprietress of a party-and-catering concern, The Open Arms--Rebecca is both personally and professionally inclined towards jollity. But at an engagement bash for one of her multiple stepdaughters, she finds herself questioning everything about her life: "How on earth did I get like this? How? How did I ever become this person who's not really me?"
She spends the rest of the novel attempting to answer these questions--and trying to resurrect her former, extinguished self. Should she take up the research she began back in college, on Robert E Lee's motivation for joining the Confederacy? More to the point, should she take up with her college sweetheart who's now divorced and living within easy striking range? None of these quick fixes pans out exactly as Rebecca imagines. What she emerges with is a kind of radiant resignation, best expressed by 100-year-old Poppy on his birthday: "There is no true life. Your true life is the one you end up with, whatever it may be." A tautology perhaps but Tyler's delicate, densely populated novel makes it stick.
Yes, Poppy. There are also characters named NoNo, Biddy, and Min Foo--the sort of saccharine roll-call that might send many a reader scampering in the opposite direction. But Tyler knows exactly now to mingle the sweet with the sour and in Back When We Were Grownups she manages this balancing act like the old pro she is. Even the familiar backdrop--shabby-genteel Baltimore, which resembles a virtual game preserve of Tylerian eccentrics--seems freshly observed. Can any human being really resist this novel? It is, to quote Rebecca, "a report on what it was like to be alive," and an appealingly accurate one to boot. --James Marcus, Amazon.com
" This novel is a treasure, a jubilant look at a woman who embarks on a modern search for herself with style, grace, and, yes, celebration."
"- The Miami Herald
"" One does not so much read a Tyler novel as visit it. Her ability to conduct several conversations at once while getting the food to the table turns the act of reading into a kind of transport. . . . In a literary landscape that too often mistakes sarcasm for humor and self-reference for irony, an Anne Tyler novel, brimming with the real thing, calls for a toast."
"- San Francisco Chronicle
"
This novel is a treasure, a jubilant look at a woman who embarks on a modern search for herself with style, grace, and, yes, celebration.
" The Miami Herald
" One does not so much read a Tyler novel as visit it. Her ability to conduct several conversations at once while getting the food to the table turns the act of reading into a kind of transport. . . . In a literary landscape that too often mistakes sarcasm for humor and self-reference for irony, an Anne Tyler novel, brimming with the real thing, calls for a toast.
" San Francisco Chronicle
""
"This novel is a treasure, a jubilant look at a woman who embarks on a modern search for herself with style, grace, and, yes, celebration."
-The Miami Herald
"About this title" may belong to another edition of this title.
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