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Anyone who lives in Oak Park, as I did for 24 years, quickly absorbs information about Frank Lloyd Wright. The village was a growing suburb of Chicago in 1889, when the architect designed a home for his wife Catherine, himself, and their family, which eventually grew to six children. In time, Oak Park became Wright's laboratory during his `prairie period', when he refined, with each new house he created, his evolving ideas about organic architecture. Today, especially in summer, Oak Park's streets are peopled with tourists from around the world who come to see the many houses he designed there and to experience firsthand the architect's legendary spaces. Wright is Oak Park's most famous citizen (Ernest Hemingway runs a close second), and his home and studio complex has been restored to its appearance as it was in 1909, the year the architect left town.
I don't remember when I first learned about Mamah Borthwick Cheney, but I recall vividly a long-ago tour I took of his home and studio, at the end of which someone asked, `Why did Wright leave in 1909?' While the name of Mamah Cheney was not included in the answer, the tour guide explained the awkward truth: the famous architect, who had celebrated in his buildings the values of family and home, had departed for Europe in 1909 with the wife of a client, never to reside permanently with his family again.
Eventually I learned that Mamah and Edwin Cheney's house was just a few blocks north of my own home on East Avenue. I had passed the house many times on my morning walks, unaware of its history. Upon learning a few facts about Mamah, I found myself pausing in front of the low-slung brick house, wanting to know more.
Very little information has been available about Wright's relationship with Mamah Cheney. The architect's biographers have lamented the lack of any remaining correspondence between the two. In the absence of personal papers belonging to Mamah, I pieced together what details of her life I could find in old newspapers, memoirs by Oak Parkers, census reports, histories of the places she lived, books on women's roles during the early part of the 20th century, and Wright's brief account of her in his autobiography, in which he chose to call her `faithful comrade' rather than to reveal her name. How thrilling it was, then, to discover two years into the project the existence of ten letters Mamah wrote to Ellen Key, the Swedish feminist for whom she translated. Here was Mamah's own voice! In a few sentences here and there Mamah Borthwick Cheney opened her heart and revealed her innermost feelings to the woman she'd chosen to be her mentor. The details provided by the correspondence helped me form a clearer picture of who she was and what her life was like during her affair with Wright.
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