Excerpt from The Problem of Style
Whether it is with the vain hope of giving to the language of criticism, like the symbols of mathematics, a constant and invariable significance, or with the more reasonable aim of gaining a more exact control over the instruments of his craft, the critic is preoccupied by an ideal of definition. If he cannot legislate for the republic of letters, and determine the sense in which terms of criticism must be used, he can try to discover and distinguish the senses in which they are used. He invariably finds that the confusion is great.
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