Mason Mace Perry was a maverick cop on the D.C. police force until she was kidnapped and framed for a crime. She lost everything her career, her liberty and spent two years in prison. Now back on the outside, Mace is trying to rebuild her life and track down the people who set her up. But even with her police chief sister at her side, she has to work in the shadows: there s a vindictive US attorney on her tail and she s just looking for a reason to send her back behind bars . . .
Roy Kingman is a young lawyer, still getting used to his high-paid job at a law firm in Washington. When Roy discovers the dead body of a female partner at the firm, his fate becomes entangled with Mace s, as the two team up to investigate.
But as their enquiries gather pace, Roy and Mace soon find themselves in unexpected territory; drawn into both the private and public world of the nation s capital, as dark secrets begin to emerge. For what began as a fairly routine homicide investigation will quickly turn into something far more complex. And possibly lethal . . .
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Mason 'Mace' Perry holds a peculiar position in the police force in Washington, DC: esteemed for her skills, but regarded as something of a maverick. But then she was kidnapped and put in the frame for a crime she did not commit. This was, effectively, the end of her professional life -- not only did she lose her career, but was obliged to serve time in prison. After her release, Mace is something of a driven woman. While trying to put together the pieces of her life is again, she is keen to identify the individuals who ruined her. She has one valuable ally -- her sister, who is a police chief. But Mason -- and anyone who works with her -- is obliged to work in a clandestine fashion, as there is another formidable woman in the equation, equally driven; a US attorney with Mace in her sights, who would like nothing better than to put her opponent back inside.
From the above synopsis, one might presume that Baldacci (with this heavy female orientation of his characters) was moving into the territory of women crime writers who (rather unrealistically) suggest that US policing is so sexually democratic that there are equal numbers of men and women in important jobs. But Baldacci has no agenda in this territory other than to simply tell the best story he can with the materials at hand. He also introduces a strong male character in the lawyer Roy Kingman whose job in a highly successful Washington law firm comes under threat when he discovers a corpse – a female partner in his firm. Roy and Mace form an alliance, and soon up against some very dangerous opponents. Baldacci enthusiasts will need no encouragement to pick up True Blue and new readers may find this the perfect place to start. --Barry Forshaw
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