Leni: The Life And Work Of Leni Riefenstahl: (E) - Hardcover

Bach, Steven

 
9780316861113: Leni: The Life And Work Of Leni Riefenstahl: (E)

Synopsis

Leni Riefenstahl is one of the most fascinating and controversial personalities of the twentieth century. Best known as 'Hitler's filmmaker', Riefenstahl made two documentaries, OLYMPIA and TRIUMPH OF THE WILL, acknowledged to be among the greatest films ever made. But they are insidious glorifications of the Adolf Hitler and the Third Reich. Drawing on new primary sources - recordings of Riefenstahl herself, interviews with her colleagues and intimate friends - Steven Bach puts the lie to her lifelong portrayal of herself as an apolitical artist who knew nothing of the Holocaust, firmly denying her connection to the Nazi regime that she had helped to promote. The facts speak for themselves: Riefenstahl's passionate involvement with the Nazis from their earliest days; the secret agreements that financed her career and supported her in later life; her visits to concentration camps and use of slave labour courtesy of the Third Reich - and more. This is an exceptional work of historical investigation, an objective but unsparing appraisal of a woman of great talent who was corrupted by ruthless ambition.

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About the Author

Steven Bach is the author of MARLENE DIETRICH and DAZZLER: THE LIFE AND TIMES OF MOSS HART, and the best-selling memoir FINAL CUT. He was in charge of worldwide production for United Artists and now teaches at Bennington College and Columbia University.

From the Back Cover

Leni Riefenstahl is one of the most fascinating and controversial personalities of the twentieth century. Best known as 'Hitler's filmmaker', Riefenstahl made two documentaries, OLYMPIA and TRIUMPH OF THE WILL, acknowledged to be among the greatest films ever made. But they are insidious glorifications of the Adolf Hitler and the Third Reich. Drawing on new primary sources - recordings of Riefenstahl herself, interviews with her colleagues and intimate friends - Steven Bach puts the lie to her lifelong portrayal of herself as an apolitical artist who knew nothing of the Holocaust, firmly denying her connection to the Nazi regime that she had helped to promote. The facts speak for themselves: Riefenstahl's passionate involvement with the Nazis from their earliest days

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