"synopsis" may belong to another edition of this title.
I commend Calvin Tomkins, as Bernard Berenson did Vasari, for 'being a singularly warm, generous, and appreciative critic.' "The New York Times Book Review"
As chronicler of the avant-garde for "The New Yorker, " Calvin Tomkins has specialized in rendering the esoteric doings of artists comprehensible. "The Washington Post Book World""
I commend Calvin Tomkins, as Bernard Berenson did Vasari, for 'being a singularly warm, generous, and appreciative critic.' The New York Times Book Review
As chronicler of the avant-garde for The New Yorker, Calvin Tomkins has specialized in rendering the esoteric doings of artists comprehensible. The Washington Post Book World
""I commend Calvin Tomkins, as Bernard Berenson did Vasari, for 'being a singularly warm, generous, and appreciative critic.'" --The New York Times Book Review
"As chronicler of the avant-garde for The New Yorker, Calvin Tomkins has specialized in rendering the esoteric doings of artists comprehensible." --The Washington Post Book World
Calvin Tomkins, a staff writer for The New Yorker since 1960, has written more than a dozen books, including the bestseller Living Well Is the Best Revenge, Merchants and Masterpieces: The Story of the Metropolitan Museum of Art, The Bride and the Bachelors, and his highly acclaimed biography Duchamp. He lives in New York city with his wife Dodie Kazanjian.
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