It is now almost inconceivable that students of literature can pass through universities without encountering the feminist revolution in literary theory and criticism. Feminist literary theories are pluralist, borrowing from other types of theory, such as marxism or postmodernism, but they always remain woman-centered. Courses in women's writing, literature and gender, and philosophy and literature proliferate--requiring readers to reconsider many of the basic assumptions on which the study of literature was originally founded.
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'This is a lively, straightforward, and highly accessible introduction to the varieties of feminist criticism which are found today. Robbins gives a brief, and very useful overview of the history of recent feminist thought...Particularly useful are the feminist readings she offers: practical exemplar of how to turn theory into practice...I would have no hesitation in recommending this book to my own students. Robbins writes with confidence and clarity. She explains critical concepts lucidly: her aim is to enable, not to overawe her audience. Even a student sceptical about feminist theory would gain greatly from this work, and those who already believe themselves familiar with the field will be led to see familiar texts - both theoretical and literary - in fresh ways. Literary Feminisms provides an invaluable introduction to its field.' - Kate Flint, Linacre College, Oxford
'I thought at first - not another book on feminist literary theory. But in fact it is not just another book - it is a very good book - very readable and clear, well thought out, with original things to say. I like it very much indeed.' - Dr C. Tylee, Brunel University
'Ruth Robbins surveys and interprets feminisms for the benefit of those who find the variety and obscurity of feminist inquiry daunting or off-putting. Proceeding both chronologically and categorically, the author presents the arguments of a wide variety of theorists who draw from a common background of Western literary tradition. She does not shrink from addressing contentious views; her tone and her language are precise and insightful, so she illuminates theory even as she offers critical assessment of its borders and absences...An excellent resource for undergraduates, graduate students and teachers.' - R. Nadelhaft, Choice
Reviews and Contents:
Reviews:
'This is a lively, straightforward, and highly accessible introduction to the varieties of feminist criticism which are found today. Robbins gives a brief, and very useful overview of the history of recent feminist thought...Particularly useful are the feminist readings she offers: practical exemplar of how to turn theory into practice...I would have no hesitation in recommending this book to my own students. Robbins writes with confidence and clarity. She explains critical concepts lucidly: her aim is to enable, not to overawe her audience. Even a student sceptical about feminist theory would gain greatly from this work, and those who already believe themselves familiar with the field will be led to see familiar texts - both theoretical and literary - in fresh ways. Literary Feminisms provides an invaluable introduction to its field.' - Kate Flint, Linacre College, Oxford
'Ruth Robbins surveys and interprets "feminisms" for the benefit of those who find the variety and obscurity of feminist inquiry daunting or off-putting. Proceeding both chronologically and categorically, the author presents the arguments of a wide variety of theorists who draw from a common background of Western literary tradition. She does not shrink from addressing contentious views; her tone and her language are precise and insightful, so she illuminates theory even as she offers critical assessment of its borders and absences...An excellent resource for undergraduates, graduate students and teachers.' - R. Nadelhaft, Choice
Contents:
General Editor's Preface
Acknowledgements
Introduction: Gestures Towards Definitions
SECTION ONE: HISTORIES
Liberal, Materialist and Socialist Literary Feminisms
Images of Women Criticism
The Woman as Writer: Forging Female Traditions
SECTION TWO: (PSYCHO)ANALYSES
Psychoanalysis and/or Feminism?
Julia Kristeva: Rewriting the Subject
'Mirror, Mirror ...': Luce Irigaray and Reflections of and on the Feminine
Helene Cixous: Laughing at the Oppositions
SECTION THREE: DIFFERENCES
Differences of View and Viewing the Differences: Challenging Female Traditions
SECTION FOUR: READINGS
Reading the Boys' Own Stories
Reading the Writing on the Wall: Charlotte Perkins Gilman's 'The Yellow Wallpaper'
The Mark on the Wall: Marking Differences, Marking Time
Annotated Bibliography
Bibliography
Index
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