Synopsis
Practitioners and teachers of acting in particular and drama in general explore one of the most popular and controversial approaches to acting in the US, focusing on an equilibrium between its principles and its relationship to other theories of performance. In sections on theory, practice, and future applications, they consider such topics as acting and answerability, standards and practices, and the Method and the computational theory of the mind. Annotation c. Book News, Inc., Portland, OR (booknews.com)
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About the Author
David Krasner is Director of Undergraduate Theater Studies at Yale University. His previous book, Resistance, Parody, and Double Coinsciousness in African American Theater, 1895-1910 received the 1998 Errol Hill Award from the American Society for Theater Research.
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