Henry of Bolingbroke was one of the most important noblemen of the later fourteenth century. Brave, chivalrous and cultured, a talented musician, he excelled at the jousts held at his cousin Richard II's Court, acquiring military experience at Radcot Bridge in Oxfordshire and later fighting with the Teutonic Knights in Prussia. A great medieval traveller, he visited Konigsberg as Earl of Derby, travelling to Danzig, Prague and later Venice and Jerusalem. Bitterly opposed to Richard II's favourites, Bolingbroke as one of the Lords Appellant played a vital part. Henry's most controversial actions were the deposition of Richard II (1399) and the execution of Richard Scrope, Archbishop of York, after he had usurped Richard's throne. As Henry IV, an usurper, the King knew little peace, incessantly engrossed as he was in preserving his throne; and the French and Scots never allowed him to forget his usurpation. For many years he fought a savage and frustrating war against the great Welsh rebel Owain Glyn Dwr, but defeated the immortal Harry Percy (Hotspur) at the Battle of Shrewsbury (1403). In his relations with his Parliaments, Henry showed acumen and praiseworthy restraint, unlike his predecessor who was determined to be an absolute King. His short reign was remarkable for the development of Parliament.
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Written between 1596 and 1597, Henry IV Part One represents Shakespeare's increasingly mature talent in staging the history of the early Tudor monarchy. Midway in the cycle of Shakespeare's History Plays, which begin with Richard II and ultimately culminate in his last play, Henry VIII, Henry IV Part One tells the story of the troubled reign of Henry IV following his deposition of Richard II. The historical action revolves around the attempt by Henry Percy (known as Hotspur) to overthrow Henry at the Battle of Shrewsbury. However, over half the play deals with the transformation of Henry's profligate son, Prince Hal (the future King Henry V), from tavern joker to national icon.
The whole play is stolen from its kings and princes by Shakespeare's greatest comic creation, the "fat-kidneyed rascal" Sir John Falstaff, king of his own dominions--the taverns and brothels of London's Eastcheap district. The tavern scenes of the play are some of the most evocative accounts of 16th-century popular London life. They revolve around the comical but ultimately sinister relationship between Falstaff and his young apprentice Hal, who learns to "so offend to make offence a skill" as he learns the slippery ropes of realpolitik and kingship. The play is considered by many to be the liveliest and most profound of Shakespeare's History Plays, and remains one of its most popular examples. --Jerry Brotton
"At last! A readable form of the original Folios. Invaluable to conceiving and creating one's own interpretation." -Richard Rose, Director, Stratford Festival"
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