Dieter Roth (1930-98) is one of late-twentieth-century art's major figures, widely known and respected for the diversity and range of his practice; the multiplicity of his artistic identities; the collaborative and subversive nature of his approach to art; the way his work collapses artistic genres and the hierarchies between them; and the lack of distinction in his output between art and life. This book focuses on one of the primary spaces in which Roth merged art and life - the diaries he kept throughout his life. These provided somewhere to record appointments, addresses, lists and deadlines, but also ideas, drawings, photographs and poems. His diaries teem with graphic exuberance, and are a rich source both for Roth in the making of his work and for anyone wishing properly to understand it. This publication was the first to focus on Roth's diaries and to begin to examine the impact they may have on the production, reception and interpretation of his art. It was published to accompany an exhibition of Roth's diaries, notebooks, copybooks and related works at Fruitmarket in for the 2012 Edinburgh Art Festival. In reproducing some of the pages of the diaries, it hints at the wonders they contain. The diaries are an immense project; a rich academic seam still to be mined. The exhibition and publication were and are an important first step towards a proper scholarly consideration of Roth through this most intimate of forms.
"synopsis" may belong to another edition of this title.
Fiona Bradley is the director of The Fruitmarket Gallery, Edinburgh.
"About this title" may belong to another edition of this title.
Seller: Magers and Quinn Booksellers, Minneapolis, MN, U.S.A.
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Seller: Art Data, London, United Kingdom
Hardcover. Condition: Brand New. Hardcover.Width: 21 cm. Height: 29cm. 175 pages. English text. Seller Inventory # 36486
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Seller: Antiquariat UEBUE, Zürich, Switzerland
Hardcover. Condition: Sehr gut. Dust Jacket Condition: Gut bis sehr gut. 1. Auflage. Z : 176 pages, 21 x 29 cm, halfcloth with dust jacket. - Roth kept diaries and notebooks throughout his life, using and reusing them in his art and writing. The idea of keeping a diary finding a way to record the passing of time and document his life is a fundamental theme of his artwork. Illustrations of pages from Roth's diaries and copybooks of his major works, including A Diary (1982), Flat Waste (1975), Solo Scenes (1997 98), and Bar II (1983 97), accompany art historical assessments by contemporary scholars and contributions from his peer Jan Vos and his son Björn Roth. Seller Inventory # ABE-1612167111115
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