Picasso and Braque offers an intimate look at one of the most pivotal exchanges in the history of Western art: the culminating two years (1910-12) of Analytic Cubism. While the Cubist experiment has long been a requisite chapter in the history of modernism, this is the first publication to delve deeply into these two intense years of productivity, revealing the intriguing pictorial game being played out between these two great masters.
Essays by prominent curators and historians offer sustained readings of paintings, drawings, and prints in terms of their engagement with issues of genre, format, medium, and artistic process. In addition, the new technology of spectral imaging provides reproductions of astounding color and textural fidelity, making this an essential publication for those seeking to understand better the complexity of Picasso's and Braque's mark-making, which typically evades conventional photography.
Exhibition Schedule:
Kimbell Art Museum, Fort Worth (05/29/11-08/21/11)
Santa Barbara Museum of Art (09/17/11-01/01/12)
"synopsis" may belong to another edition of this title.
Eik Kahng is chief curator and curator of 19th- and Early 20th-Century European Art at the Santa Barbara Museum of Art. Harry Cooper is a curator at the National Gallery of Art, Washington, D.C. Charles Palermo is an art history professor at the College of William and Mary. Christine Poggi is an art history professor at the University of Pennsylvania. Annie Bourneuf is an independent scholar. Claire Barry and Bart Devolder are conservators at the Kimbell Art Museum, Fort Worth.
"About this title" may belong to another edition of this title.
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Destination, rates & speedsSeller: THE CROSS Art + Books, Sydney, NSW, Australia
28.0 x 25.0cms 136pp colour illusts fine hardback with decorated boards (no dustwrapper as issued) The essays are: on the problem of explaining cubism a few notes; a project of wholeness; Braque''s ovals; Picasso Braque and the usues of print; cubist faktura; observations on the materials process and condition of cubist paintings. Seller Inventory # 20212537
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Seller: ANARTIST, New York, NY, U.S.A.
Hardcover without dustjacket as issued, 136 pages; very good condition except small crimp to lower corner of rear cover; museum library stamps to title page; no other internal marks. Foreign shipping may be extra. Seller Inventory # PiKaSa30
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Seller: Ursus Books, Ltd., New York, NY, U.S.A.
Kahng, Eik et al. PICASSO and BRAQUE: The Cubist Experiment, 1910-1912. 136 pages, illustrated throughout in color and b&w. 4to, boards. Santa Barbara, Santa Barbara Museum of Art, and Fort Worth, Kimbell Art Museum, in association with New Haven and London, Yale University Press, 2011. Exhibition in Santa Barbara and Fort Worth. Seller Inventory # 143308
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Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. Condition: NF. Black boards with color illus. 136 pp. Profusely illustrated in color. Offers a look at one of the most pivotal exchanges in the history of Western art: the culminating two years (1910-12) of Analytic Cubism. While the Cubist experiment has long been a requisite chapter in the history of modernism, this title delves into these two intense years of productivity. (from Worldcat). Published on the occasion of an exhibition held at the Kimbell Art Museum, Fort Worth, Tex., May 29-Aug. 21, 2011 and the Santa Barbara Museum of Art, Santa Barbara, Calif., Sept. 17, 2011-Jan. 8, 2012. Seller Inventory # 130355
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Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Hardcover. Condition: Fine. 1st. Pictorial boards, 135 pages, illustrations (some colour); 29 cm. Published on the occasion of an exhibition held at the Kimbell Art Museum, Fort Worth, Tex., May 29 to August 21, 2011 and the Santa Barbara Museum of Art, Santa Barbara, Calif., September 17, 2011 to January 8, 2012. Firm binding, clean inside copy. Richly illustrated with colour plates. *** "Picasso and Braque offers an intimate look at one of the most pivotal exchanges in the history of Western art: the culminating two years (1910-12) of Analytic Cubism. While the Cubist experiment has long been a requisite chapter in the history of modernism, this is the first publication to delve deeply into these two intense years of productivity, revealing the intriguing pictorial game being played out between these two great masters. Essays by prominent curators and historians offer sustained readings of paintings, drawings, and prints in terms of their engagement with issues of genre, format, medium, and artistic process. In addition, the new technology of spectral imaging provides reproductions of astounding color and textural fidelity, making this an essential publication for those seeking to understand better the complexity of Picasso's and Braque's mark-making, which typically evades conventional photography. / Eik Kahng is chief curator and curator of 19th- and Early 20th-Century European Art at the Santa Barbara Museum of Art. Harry Cooper is a curator at the National Gallery of Art, Washington, D.C. Charles Palermo is an art history professor at the College of William and Mary. Christine Poggi is an art history professor at the University of Pennsylvania. Annie Bourneuf is an independent scholar. Claire Barry and Bart Devolder are conservators at the Kimbell Art Museum, Fort Worth." - Publisher. *** CONTENTS: Introduction: on the problem of explaining Cubism: a few notes, by Eik Kahng; A project for wholeness, by Charles Palermo; Braque's ovals, by Harry Cooper; Picasso, Braque, and the uses of the print, 1910-1912, by Annie Bourneuf; Cubist faktura, by Christine Poggi; Surface and format: observations on the materials, process, and condition of Cubist paintings, 1910-1912, by Claire Barry and Bart J. C. Devolder. Size: 4to. Collectible. Seller Inventory # 109540
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Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Seller Inventory # S_443546437
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