Synopsis
This book focuses on the values, priorities, and motives of patrons and the purposes and functions of art works produced north and south of the Alps and in post-Byzantine Crete. It begins by considering the social range and character of Renaissance patronage and ends with a study of Hans Holbein the Younger and the reform of religious images in Basle and England.
Viewing Renaissance Art considers a wide range of audiences and patrons from the rulers of France to the poorest confraternities in Florence. The overriding premise is that art was not a neutral matter of stylistic taste but an aspect of material production in which values were invested―whether religious, cultural, social, or political.
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About the Author
Kim W. Woods, Carol M. Richardson, and Angeliki Lymberopoulou are lecturers, Art History Department, The Open University.
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Viewing Renaissance Art
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Viewing Renaissance Art (Renaissance Art Reconsidered Open University): 3
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Viewing Renaissance Art: 3 (Renaissance Art Reconsidered Open University)
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Yale University Press 04/05/2007, 2007
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ISBN 13: 9780300123432
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Viewing Renaissance Art
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Yale University Press, New Haven, 2007
ISBN 10: 0300123434
ISBN 13: 9780300123432
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Viewing Renaissance Art (Renaissance Art Reconsidered Open University): 3
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Viewing Renaissance Art (Renaissance Art Reconsidered: Volume 3) (Volume 3)
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The Open University / Yale University Press, 2007
ISBN 10: 0300123434
ISBN 13: 9780300123432
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