This book focuses on the values, priorities, and motives of patrons and the purposes and functions of art works produced north and south of the Alps and in post-Byzantine Crete. It begins by considering the social range and character of Renaissance patronage and ends with a study of Hans Holbein the Younger and the reform of religious images in Basle and England.
Viewing Renaissance Art considers a wide range of audiences and patrons from the rulers of France to the poorest confraternities in Florence. The overriding premise is that art was not a neutral matter of stylistic taste but an aspect of material production in which values were invested―whether religious, cultural, social, or political.
"synopsis" may belong to another edition of this title.
Kim W. Woods, Carol M. Richardson, and Angeliki Lymberopoulou are lecturers, Art History Department, The Open University.
"About this title" may belong to another edition of this title.
Seller: Zoom Books Company, Lynden, WA, U.S.A.
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Condition: Good. Volume 3. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1350grams, ISBN:9780300123432. Seller Inventory # 8835665
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Seller: Dragonfly Books, Victoria, BC, Canada
Soft Cover. Condition: Good. No Jacket. 333 pages. will require extra postage - Hug Book Size: 4to - 9.75" - 12" tall. Used. Seller Inventory # 93458