From the screaming heads and snarling chimpanzees of the late 1940s to the anonymous figures trapped in tortured isolation some ten years later, British artist Francis Bacon during one crucial decade created many of the most central and memorable images of his entire career. The artist enters the decade of the 1950s in search of himself and his true subject; he finishes ten years later having completed some of his great masterpieces and having acquired technical mastery over one of the most disturbing and revealing visions of the twentieth century. This book brings both Bacon the man and Bacon the painter vividly to life, focusing for the first time on this key period in his development. Michael Peppiatt, the leading authority on Bacon and a close friend of the artist for thirty years, offers a groundbreaking study that reveals essential keys to understanding Bacon's mysterious and subversive art. The book presents a wide range of paintings (many of them rarely seen before) representing all of Bacon's major themes during the 1950s, analyzes the significant developments in his art, and assesses the particular importance of key works. Also included is the most comprehensive account of the artist's life in the 1950s ever written and a series of fascinating and revealing conversations between Peppiatt and Bacon in 1964, 1987, and 1989. It is published in association with the Sainsbury Centre for Visual Arts at the University of East Anglia, Norwich.
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Formerly editor and publisher of 'Art International', Michael Peppiatt is an independent art historian and exhibition curator living between London and Paris. His previous books include Alberto Giacometti in Postwar Paris (Yale, 2001). His 1996 biography of Francis Bacon, Francis Bacon: Anatomy of an Enigma, is considered the definitive account of Bacon's life and work and was chosen a New York Times Book of the Year.
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Seller: THE CROSS Art + Books, Sydney, NSW, Australia
Condition: Very Good. Dust Jacket Condition: Good. 27.0 x 24.0cms 200pp b/w & colour illusts. This book argues that Bacon created many of the most central memorable images of his career in the 1950s. It deals with Bacon the man and the painter through the significant developments in his art and through his letters to Erica Brausen Robert Sainsbury and Lisa Sainsbury. Seller Inventory # 30113541
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Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. VERY GOOD hardcover in VERY GOOD dust jacket, no marks in text; a clean, gently used copy. Book. Seller Inventory # 150596
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Hardback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR009901852
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Seller: Literary Cat Books, Machynlleth, Powys, WALES, United Kingdom
Hardcover. Condition: Very Good+. Dust Jacket Condition: Very Good. First Edition. Light wear to spine, cover and corners. Dustjacket very light wear only. Photographic (colour and B&W) plates throughout. Includes bibliography. ** This sale includes a colour foldout of Francis Bacon paintings from the 1950's 26thSept-10thDec which was exhibited at the Sainsbury Centre for Visual Arts, University of East Anglia, Norwich. This is compelling exploration of a pivotal decade in the career of the British painter Francis Bacon offers a detailed insight into his artistic development during the 1950's, when Francis produced some of his most significant and challenging works. Peppiatt, a close friend of Bacon, and respected art historian, draws from first-hand experience and meticulous research to paint a vivid portrait of the artist's life and work. The 1950s marked a time of intense experimentation, culminating in his iconic distorted figures and emotionally charged themes, which solidified his reputation in the contemporary art world. This publication helps to explain the complex interplay between Bacon's personal life and artistic expression during a transformative decade. ; 27cm x 25.1 cm x 2.9 cm; xi (2), 200 pages. Seller Inventory # LCB61064
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Hardcover. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 3.05. Seller Inventory # G030012192XI4N10
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Condition: good. Book is considered to be in good or better condition. The actual cover image may not match the stock photo. Hard cover books may show signs of wear on the spine, cover or dust jacket. Paperback book may show signs of wear on spine or cover as well as having a slight bend, curve or creasing to it. Book should have minimal to no writing inside and no highlighting. Pages should be free of tears or creasing. Stickers should not be present on cover or elsewhere, and any CD or DVD expected with the book is included. Book is not a former library copy. Seller Inventory # SEWV.030012192X.G
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Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Accompanies exhibitions at Sainsbury Centre at East Anglia in Norwich, Milwaukee Art Museum, Albright-Knox Art Gallery in Buffalo during Sept 2006 - July 2007. Book includes Bacon's letters, chronology, catalogue of solo exhibits, bibliography of interviews and monographs. Some black & white photos of Bacon, his friends, installations. Around 80 plates, most color. 200 pages, 9 3/4" x 10 3/4". May incur extra shipping fee for expedited or international orders. Seller Inventory # 105389
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Condition: good. The cover shows wear with possible indentations, creases, and small tears. The pages show wear that may include evidence of handling, smudges, and edge discoloration markings stains . The book may or may not have mild corner dings. Seller Inventory # 4LFI2R000TOB_ns
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