A versatile genius whose oeuvre includes paintings, engravings, and detailed anatomical studies, George Stubbs (1724-1806) was fascinated by horses. This handsome book presents for the first time the wide range of his equine imagery, from refined portraits of racehorses to violent scenes of horses attacked by lions in the wild. Taking full account of the associations and status of the "noble horse" in eighteenth-century Britain and the colourful world of its devotees - both high and low - the authors examine Stubbs's work from different points of view and offer many fresh interpretations. Malcolm Warner discusses how horses were regarded in Britain in Stubbs's time, the unexpected connection between his horse-and-lion compositions and the creation of the English thoroughbred, and his classicism. Robin Blake examines the young Whig noblemen who were Stubbs's first patrons, the grooms, jockeys, trainers, and other attendants who appear in his horse portraits, and his curious dealings with the Prince of Wales. The book also includes an essay by conservators Lance Mayer and Gay Myers on Stubbs's experiments with wax and enamel. For admirers of Stubbs's art, eighteenth-century English painting, and horses, this book is an essential addition to their bookshelves. Stubbs and the Horse is the catalogue for the first major exhibition on the artist in more than twenty years. It is on view at the Kimbell Art Museum, Fort Worth (November 14, 2004, to February 6, 2005); the Walters Art Museum, Baltimore (March 13 to May 29, 2005); and the National Gallery, London (June 29 to September 25, 2005).
"synopsis" may belong to another edition of this title.
Malcolm Warner, Senior Curator at the Kimbell Art Museum in Fort Worth, Texas, is the author of several books, including The Victorians: British Painting, 1837-1901 and Millais: Portraits; Robin Blake is an independent scholar based in London and is the author of a forthcoming biography on Stubbs; Lance Mayer and Gay Myers are consulting conservators based at the Lyman Allyn Art Museum in New London, Connecticut.
"About this title" may belong to another edition of this title.
Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. Beige illus. wraps; 229 pp.; 223 color and bw figures. Accompanied a traveling exhibition of the same name that appeared at the Kimbell Art Museum in Fort Worth, Texas, the Walters Art Museum in Baltimore, and the National Gallery in London; Includes an essay by Lance Mayer and Gay Myers. VG- ex-library copy with card pocket on inside of front cover. Seller Inventory # 173730
Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. Condition: VG/VG. Beige illus. wraps; 229 pp.; 223 color and bw figures. Accompanied a traveling exhibition of the same name that appeared at the Kimbell Art Museum in Fort Worth, Texas, the Walters Art Museum in Baltimore, and the National Gallery in London; Includes an essay by Lance Mayer and Gay Myers. Seller Inventory # 215135
Seller: Russell Books, Victoria, BC, Canada
Condition: Very Good. Seller Inventory # FORT980418
Seller: HPB-Red, Dallas, TX, U.S.A.
hardcover. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority! Seller Inventory # S_477804615
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Paperback. Condition: Very Good. A versatile genius whose oeuvre includes paintings, engravings, and detailed anatomical studies, George Stubbs (1724-1806) was fascinated by horses. This handsome book presents for the first time the wide range of his equine imagery, from refined portraits of racehorses to violent scenes of horses attacked by lions in the wild. Taking full account of the associations and status of the "noble horse" in eighteenth-century Britain and the colourful world of its devotees - both high and low - the authors examine Stubbs's work from different points of view and offer many fresh interpretations. Malcolm Warner discusses how horses were regarded in Britain in Stubbs's time, the unexpected connection between his horse-and-lion compositions and the creation of the English thoroughbred, and his classicism. Robin Blake examines the young Whig noblemen who were Stubbs's first patrons, the grooms, jockeys, trainers, and other attendants who appear in his horse portraits, and his curious dealings with the Prince of Wales. The book also includes an essay by conservators Lance Mayer and Gay Myers on Stubbs's experiments with wax and enamel. For admirers of Stubbs's art, eighteenth-century English painting, and horses, this book is an essential addition to their bookshelves. Stubbs and the Horse is the catalogue for the first major exhibition on the artist in more than twenty years. It is on view at the Kimbell Art Museum, Fort Worth (November 14, 2004, to February 6, 2005); the Walters Art Museum, Baltimore (March 13 to May 29, 2005); and the National Gallery, London (June 29 to September 25, 2005). The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR004380003
Quantity: 9 available
Seller: art longwood books, Gloucester, MA, U.S.A.
Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. First Edition/First Printing. hardcover in dust jacket., sunned background to dj spine with no loss of text. no other flaws, clean, no writing or markings, tight binding.; 229pp., illustrated throughout in color, some b/w., major exhibition catalogue accompanying show focused on the art of 18th century british painter, george stubbs. stubbs' drawings and paintings of horses are transcendent, timeless. Size: 4to - over 9¾" - 12" tall. Exhibition Catalogue. Seller Inventory # 25538
Seller: BookAddiction (IOBA, IBooknet), Canterbury, United Kingdom
Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. 1st Edition. First edition, first impression. xx, 230pp, with plentiful illustrations many of which are in full colour. Deep blue cloth-covered boards, gilt titles on the spine. Green endpapers. 4to. Volume is neat, clean, bright and tight throughout. In its original illustrated, glossy dust wrapper, not price clipped, very slightly bumped on extreme edges. Seller Inventory # 044824
Seller: Books on the Boulevard, Sherman Oaks, CA, U.S.A.
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. First. 9.75 X 1 X 10.75 inches; 248 pages. Seller Inventory # 69421
Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Seller Inventory # 8822796-6
Seller: Compton Books, Guildford, United Kingdom
Hardcover. Condition: As New. 1st Edition. Mint in mint dustwrapper. Seller Inventory # 756