Roy Lichtenstein's distinctive paintings of the early 1960s are synonymous with the Pop art movement. These bold, oversized images inspired by newspaper advertisements and comic book scenes have been taken as reflecting the artist's fascination with the links between art and popular culture. In this study, Michael Lobel challenges this circumscribed view of Lichtenstein's work, offering a set of interpretations that reveal the artist's confrontation with a far wider range of issues. Lichtenstein's art is fundamentally engaged with a set of concerns central to art-making in the postwar period: the relation between vision and technology, the possibility of articulating artistic identity, and the effect of mechanical reproduction on the work of art. Lichtenstein's project, Lobel argues, is structured by the tension between painting understood as a fully expressive, humanistic gesture and, conversely, as the product of a purely mechanical act. This illustrated volume makes available an array of archival materials about Lichtenstein and his work, including photographs of the artist and sources for his imagery in the comics and advertisements of the early 1960s. It also provides information on the context of the artist's Pop paintings in relation to contemporary developments in advertising culture, mechanical reproduction and visual technologies. Examining the artist's work, the author offers a comprehensive analysis of Lichtenstein's early Pop paintings and seeks to provide insight into the issues that shaped the Pop art movement, artistic practices in the 1960s, and the historical relation between modern art and popular culture.
"synopsis" may belong to another edition of this title.
"A timely, engaging, and even provocative study of this important artist..." -- Ann Gibson, University of Delaware
"Michael Lobel brings to light, for the first time, the acute aesthetic intelligence at work in the paintings of Roy Lichtenstein." -- Thomas Crow, director, Getty Research Institute
Michael Lobel is assistant professor of art history at Bard College.
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Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In fair condition, suitable as a study copy. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1100grams, ISBN:9780300087628. Seller Inventory # 5828636
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Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1050grams, ISBN:0300087624. Seller Inventory # 4130385
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Seller: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.
Condition: New. 2002. Hardcover. Dust Jacket is New. Cloth, dj. Quarto. 196 pp. Profusely illustrated. In publisher's shrinkwrap. New. Seller Inventory # P007970
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Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. Condition: VG/VG. Black boards with gilt spine lettering. Black and color-illustrated dust jacket with white and brown lettering. xi, 196 pp. Color and BW illustrations. "Roy Lichtenstein's distinctive paintings of the early 1960s are synonymous with the Pop art movement. These bold, oversized images inspired by newspaper advertisements and comic book scenes have been taken as reflecting the artist's fascination with the links between art and popular culture. In this book, Michael Lobel challenges this circumscribed view of Lichtenstein's work, offering a set of compelling new interpretations that reveal the artist's confrontation with a far wider range of issues." "This illustrated book makes available for the first time an array of archival materials about Lichtenstein and his work, including photographs of the artist and many newly discovered sources for his imagery in the comics and advertisements of the early 1960s. It also provides new information on the context of the artist's Pop paintings in relation to contemporary developments in advertising culture, mechanical reproduction, and visual technologies."--Jacket. Seller Inventory # 171647
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Seller: Antiquariaat Berger & De Vries, Groningen, Netherlands
Hardcover with dust jackey. Cloth, dj. Quarto. 196 pp. Profusely illustrated. Almost as new. ISBN 9780300087628. Seller Inventory # 69122-A-54912
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Couverture rigide. Condition: Bon état. Livre en anglais. In-4 relié 26,2 cm sur 21,2. 196 pages. Bon état d'occasion. in-4°. Seller Inventory # 57407
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Seller: Ursus Books, Ltd., New York, NY, U.S.A.
Lobel, Michael. Image Duplicator: ROY LICHTENSTEIN and the Emergence of Pop Art. xii and 196 pp., 106 colour and b&w figures. 4to, cloth. New Haven and London, Yale University Press, 2002. This book examines Lichtenstein in the context of the advertising culture, and emerging visual technology of the 60s and ascribes to his oeuvre a greater subtlety and sophistication than is generally understood in the standard critical analysis of Pop art. Seller Inventory # 99552
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Seller: Rare Book Cellar, Pomona, NY, U.S.A.
Hardcover. First Edition; First Printing. Near Fine in a Very Good+ dust jacket. Very small closed tear on spine heel. ; Title page inscribed by Michael Lobel. ; 208 pages; Signed by Author. Seller Inventory # 319765
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