After a general introduction to 15th-century "court patronage", the phenomenon is examined in detail in case studies of artists and musicians working in Milan under the Sforza and in Florence under the Medici. The ideas came to Britain and shaped Tudor and Stuart poetry and drama.
"synopsis" may belong to another edition of this title.
David Mateer is Lecturer in Music at the Open University.
"About this title" may belong to another edition of this title.
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