The Russian writer Isaac Babel (1894-1940) is acknowledged to be one of the great masters of 20th century literature, hailed as a genius by such critics as Lionel Trilling and Irving Howe. The work for which he is best known is a cycle of stories called "Red Cavalry", which depicts the exploits of the Cossack cavalry during the Polish-Soviet war of 1919-1920 and is based on Babel's experiences as he rode with the Cossacks during the campaign. Babel kept a diary during this period, in which he recorded the devastation of the war, the extreme cruelty of the Polish and Red armies alike towards the Jewish population in the Ukraine and Eastern Poland, and his own conflicted role as both Soviet revolutionary and Jew. The "1920 Diary" was a vital source for "Red Cavalry" as well as a compelling narrative. The "1920 Diary" is a contemporary account of the tragedy of Eastern European Jewry during this period. The diary also yields insights into Babel's personal evolution, showing his youthful curiosity and his anguish as, frequently concealing his own Jewish identity, he mingled with the victimized Jews of the region's shtetls and with his Cossack comrades. Finally, the diary sheds light on Babel's artistic development, revealing the path of the Red Cavalry cycle.
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"A precursor of Holocaust literature, and more powerful in its effect than any Holocaust literature that I have managed to read." -- Harold Bloom, New York Times Book Review
"An electrifying translation accompanied by an indispensable introduction ... Babel's journey is a Jewish lamentation ... a tragic masterwork." -- Cynthia Ozick, The New Republic
"Babel's 1920 Diary, the source for many of his remarkable Red Cavalry stories, is itself as remarkable as the stories, particularly when one considers that the diarist was a journalist of only twenty-six. The staccato sentences in which Babel rapidly describes the horrific details of revolutionary brutality have the impact of an accomplished style, one that in its spontaneously elliptical way is strangely no less artful than the artfully nuanced directness that is the triumph of Red Cavalry". -- Philip Roth
The Russian writer Isaac Babel (1894-1940) is widely acknowledged to be one of the great masters of twentieth-century literature, hailed as a genius by such critics as Lionel Trilling and Irving Howe. The work for which he is best known is a cycle of stories called Red Cavalry, which depicts the exploits of the Cossack cavalry during the Polish-Soviet war of 1919-1920 and is based on Babel's experiences as he rode with the Cossacks during the campaign. Throughout this period Babel kept a diary, in which he recorded the devastation of the war, the extreme cruelty of the Polish and Red armies alike toward the Jewish population in Ukraine and eastern Poland, and his own conflicted role as both Soviet revolutionary and Jew. The 1920 Diary, a vital source for Red Cavalry as well as a compelling narrative, is now published in English for the first time. The 1920 Diary is the most significant contemporary account of the tragedy of Eastern European Jewry during this period. The Diary also yields important insights into Babel's personal evolution, showing his youthful curiosity and his anguish as, frequently concealing his own Jewish identity, he mingled with the victimized Jews of the region's shtetls and with his Cossack comrades. Finally, the Diary sheds light on Babel's artistic development, revealing the path from observations recorded in excitement and despair to the painstakingly crafted narratives of the Red Cavalry cycle.
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