Early in World War II censors placed all photographs of dead and badly wounded Americans in a secret Pentagon file known to officials as the Chamber of Horrors. Later, as government leaders became concerned about public complacency brought on by Allied victories, they released some of these photographs of war's brutality. But to the war's end and after, they continued to censor photographs of mutilated or emotionally distressed American soldiers, of racial conflicts at American bases, and other visual evidence of disunity or disorder. In this book George H. Roeder, Jr., tells the story of how American opinions about World War II were manipulated both by the wartime images that citizens were allowed to see and by the images that were suppressed. His text is amplified by visual essays that include many previously unpublished photographs from the army's censored files. Examining news photographs, movies, newsreels, posters, and advertisements, Roeder explores the different ways that civilian and military leaders used visual imagery to control the nation's perception of the war and to understate the war's complexities. He reveals how image makers tried to give minorities a sense of equal participation in the war while not alarming others who clung to the traditions of separate races, classes, and gender roles. He argues that the most pervasive feature of wartime visual imagery was its polarized depiction of the world as good or bad, and he discusses individuals - Margaret Bourke-White, Bill Mauldin, Elmer Davis, and others - who fought against these limitations. He shows that the polarized ways of viewing encouraged by World War II influenced American responses to political issues for decades to follow, particularly in the simplistic way that the Vietnam War was depicted by both official and antiwar forces.
"synopsis" may belong to another edition of this title.
George H. Roeder, Jr., is professor of liberal arts at the School of the Art Institute of Chicago.
"About this title" may belong to another edition of this title.
Seller: Better World Books: West, Reno, NV, U.S.A.
Condition: Good. Used book that is in clean, average condition without any missing pages. Seller Inventory # 4799493-6
Seller: Book Alley, Pasadena, CA, U.S.A.
hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. A very good hardcover in a very good dust jacket. No markings. Seller Inventory # mon0000685150
Seller: Jackson Street Booksellers, Omaha, NE, U.S.A.
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Fine copy in hardcover with fine jacket. Seller Inventory # 032041
Seller: Wonder Book, Frederick, MD, U.S.A.
Condition: Good. Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Seller Inventory # Q19OS-00488
Seller: A&D Books, South Orange, NJ, U.S.A.
Hardcover. First edition, first printing. Fine clothbound hardcover in a Very Good dust jacket with a touch of shelf wear and a hint of moisture exposure to the back panel. All dust jackets are protected by a clear mylar cover. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. "The U.S. government during World War II was quick to realize the power of visual images and sought ways to control their uses. [The author] explores most aspects of the government's policies on visual images and the consequences of those actions, especially concerning the Vietnam War." Text by George H. Roeder Jr. 224 pages; b&w illustrations grouped into four 16-page "visual essays" with photographs and reproductions of graphic materials; 7.25 x 10.25 inches. Notes; bibliography; index. Seller Inventory # 24565
Seller: Olmstead Books, Port Dover, ON, Canada
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Black boards with gilt letters. The corners and spine are sharp. FIRST EDITION. DJ shows very light wear. Illustrated. 198 pages. 01. Seller Inventory # 5713
Seller: Better World Books Ltd, Dunfermline, United Kingdom
Condition: Good. Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Seller Inventory # GRP34455550
Seller: Murphy-Brookfield Books, Iowa City SE, IA, U.S.A.
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. clean, unmarked copy. Seller Inventory # 368536
Seller: KULTURAs books, Los Angeles, CA, U.S.A.
Hardcover. Condition: As New. Dust Jacket Condition: As New. First Edition; First Printing. Hardcover in dust jacket. First printing of first edition. Book and unclipped dust jacket are in fine, As New, gift-giving condition, crisp and clean, with tight binding and sharp corners. The use of visual propaganda during World War II. Historic photos and graphics throughout. 8vo. 189 pp. Including index. In protective Mylar. Seller Inventory # 86852
Seller: Anybook.com, Lincoln, United Kingdom
Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:0300057237. Seller Inventory # 3964817