Who were the medieval illuminators and how were their hand-produced books illustrated and decorated? In this book, Jonathan Alexander presents a survey of manuscript illumination throughout Europe from the fourth to the 16th century. He discusses the social and historical context of the illuminators' lives, considers their methods of work, and presents a series of case studies to show the range and nature of the visual sources and the ways in which they were adapted, copied or created anew. Alexander explains that in the early period, Christian monasteries and churches were the main centres for the copying of manuscripts, and so the majority of illuminators were monks working in and for their own monasteries. From the 11th century, lay scribes and illuminators became increasingly numerous and by the 13th century professional illuminators dominated the field. During this later period, illuminators travelled in search of work, joined guilds and included nuns and secular women among their ranks. Work was regularly collaborative and the craft was learned through an apprenticeship system. Alexander analyzes surviving manuscripts and medieval treatises in order to explain the technical processes of illumination - its materials, methods, tools, choice of illustration and execution. The book is illustrated with examples chosen from religious and secular manuscripts made all over Europe.
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Destination, rates & speedsSeller: Wykeham Books, LONDON, United Kingdom
Cloth, large 8vo, 29 cm, vii, 214 pp. From the blurb: "Who were the medieval illuminators? How were their hand-produced books illustrated and decorated? In this beautiful book Jonathan Alexander presents a survey of manuscript illumination throughout Europe from the fourth to the sixteenth century. He discusses the social and historical context of the illuminators' lives, considers their methods of work, and presents a series of case studies to show the range and nature of the visual sources and the ways in which they were adapted, copied, or created anew. Alexander explains that in the early period, Christian monasteries and churches were the main centers for the copying of manuscripts, and so the majority of illuminators were monks working in and for their own monasteries. From the eleventh century, lay scribes and illuminators became increasingly numerous, and by the thirteenth century, professional illuminators dominated the field. During this later period, illuminators were able to travel in search of work and to acquire new ideas, they joined guilds with scribes or with artists in the cities, and their ranks included nuns and secular women. Work was regularly collaborative, and the craft was learned through an apprenticeship system. Alexander carefully analyzes surviving manuscripts and medieval treatises in order to explain the complex and time-consuming technical processes of illuminationÔÇöits materials, methods, tools, choice of illustration, and execution. From rare surviving contracts, he deduces the preoccupation of patrons with materials and schedules. Illustrating his discussion with examples chosen from religious and secular manuscripts made all over Europe, Alexander recreates the astonishing variety and creativity of medieval illumination. His book will be a standard reference for years to come." Near Fine in Near Fine dustwrapper. Seller Inventory # ABE-57915
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Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 2.35. Seller Inventory # G0300056893I4N00
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Seller: St Philip's Books, P.B.F.A., B.A., Oxford, United Kingdom
Hardback. Condition: Fine. Dust Jacket Condition: Near Fine. ~29 colour and 218 black / white illustrations. No ownership marks. ~Robust packaging. All UK orders with tracking, overseas orders on request. Size: viii, 214pp. 22 x 28.5cm. With dustwrapper. Binding sound, text unmarked. Seller Inventory # HH4472
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Seller: Wonder Book, Frederick, MD, U.S.A.
Condition: Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Seller Inventory # T12I-01273
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Seller: Anytime Books, London, United Kingdom
Soft cover. Condition: Near Fine. 1st Edition. An excellent reference; very detailed, with some fascinating examples. pp.214. Illus. Seller Inventory # 013941
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Seller: Libreria Anticuaria Camino de Santiago, León - Madrid, LE, Spain
Condition: Bueno. 76829 Jonathan J G Alexander 1992 Yale University Press, 1992, 214pp. Firma de anterior propietario. Seller Inventory # 76829
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Seller: Great Matter Books, Grand Rapids, MI, U.S.A.
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. Near Fine condition hardcover book, Near Fine condition dust jacket. Slightest shelf wear to covers and spine edges. Slightest yellowing to text block edges. Writing on ffep. Dust jacket unclipped. Dust jacket has slightest smudging, very slight shelf wear and bumping. Sticker on inner front flap. Dust jacket protected by mylar. All of our books are individually inspected and described. Never X-library unless specifically described as such. Seller Inventory # 2408-8208
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Seller: MW Books Ltd., Galway, Ireland
First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Summary: Who were the medieval illuminators? How were their hand-produced books illustrated and decorated? In this beautiful book Jonathan Alexander presents a survey of manuscript illumination throughout Europe from the fourth to the sixteenth century. He discusses the social and historical context of the illuminators' lives, considers their methods of work, and presents a series of case studies to show the range and nature of the visual sources and the ways in which they were adapted, copied, or created anew. Alexander explains that in the early period, Christian monasteries and churches were the main centers for the copying of manuscripts, and so the majority of illuminators were monks working in and for their own monasteries. From the eleventh century, lay scribes and illuminators became increasingly numerous, and by the thirteenth century, professional illuminators dominated the field. During this later period, illuminators were able to travel in search of work and to acquire new ideas, they joined guilds with scribes or with artists in the cities, and their ranks included nuns and secular women. Work was regularly collaborative, and the craft was learned through an apprenticeship system. Alexander carefully analyzes surviving manuscripts and medieval treatises in order to explain the complex and time-consuming technical processes of illumination - its materials, methods, tools, choice of illustration, and execution. From rare surviving contracts, he deduces the preoccupation of patrons with materials and schedules. Illustrating his discussion with examples chosen from religious and secular manuscripts made all over Europe, Alexander recreates the astonishing variety and creativity of medieval illumination. His book will be a standard reference for years to come. Physical description: 247 illustrations. Subjects: Illumination of books and manuscripts Technique. Book Illlumination - Techniques. Illuminated manuscripts History. Genre: Religious arts. Language: English. 1 Kg. Seller Inventory # 361129
Quantity: 1 available
Seller: MW Books, New York, NY, U.S.A.
First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Summary: Who were the medieval illuminators? How were their hand-produced books illustrated and decorated? In this beautiful book Jonathan Alexander presents a survey of manuscript illumination throughout Europe from the fourth to the sixteenth century. He discusses the social and historical context of the illuminators' lives, considers their methods of work, and presents a series of case studies to show the range and nature of the visual sources and the ways in which they were adapted, copied, or created anew. Alexander explains that in the early period, Christian monasteries and churches were the main centers for the copying of manuscripts, and so the majority of illuminators were monks working in and for their own monasteries. From the eleventh century, lay scribes and illuminators became increasingly numerous, and by the thirteenth century, professional illuminators dominated the field. During this later period, illuminators were able to travel in search of work and to acquire new ideas, they joined guilds with scribes or with artists in the cities, and their ranks included nuns and secular women. Work was regularly collaborative, and the craft was learned through an apprenticeship system. Alexander carefully analyzes surviving manuscripts and medieval treatises in order to explain the complex and time-consuming technical processes of illumination - its materials, methods, tools, choice of illustration, and execution. From rare surviving contracts, he deduces the preoccupation of patrons with materials and schedules. Illustrating his discussion with examples chosen from religious and secular manuscripts made all over Europe, Alexander recreates the astonishing variety and creativity of medieval illumination. His book will be a standard reference for years to come. Physical description: 247 illustrations. Subjects: Illumination of books and manuscripts Technique. Book Illlumination - Techniques. Illuminated manuscripts History. Genre: Religious arts. Language: English. 1 Kg. Seller Inventory # 361129
Quantity: 1 available
Seller: Libreria Anticuaria Camino de Santiago, León - Madrid, LE, Spain
Condition: Bueno. 76825 Jonathan J G Alexander 1992 Yale University Press, 1992, 214pp. Seller Inventory # 76825
Quantity: 1 available