Eva Hesse (1936-1970) has long been recognized as a sculptor of exceptional talent and prodigious influence. The public has rarely seen her work, however, because its fragility has made it difficult to exhibit. Hesse was an expressionist in an age of minimalism. Against the dominant, largely impersonal visual modes of the 1960s, she insisted on the subjective qualities of her art. She opened up frontiers in sculpture - in form, content, material, and logic - and helped to change the way artists, critics, and viewers look at art. Hesse's career also coincided with the incubation period of modern feminism, and her art stands as a courageous and complex effort to articulate a female identity. The book includes essays by six noted authorities: Linda Norden discusses Hesse's early career in New York following her years as a student of Josef Albers; Maria Keutzer writes on Hesse's work in Germany in the mid-1960s when she moved from the two-dimensional to the three-dimensional; Maurice Berger examines Hesse's radical and personal approach to the sculptural object following her rejection of painting; Helen Cooper draws on the artist's extensive diaries, notebooks, and correspondence to explore her first ideas for works, working procedures, and materials; Anna Chave analyzes Hesse's mature work in light of contemporary feminist theory on authorship and subjectivity; and Robert Storr places Hesse in relation to the central American artistic concerns of the 1960s, focusing on her links with such artists as Jasper Johns, Sol LeWitt, and Claes Oldenburg. This book, which brings together Hesse's most important sculptures, reliefs, and her rarely seen drawings and early paintings, is the catalogue for an exhibition of Hesse's work that will open at the Yale University Art Gallery in April 1992 and travel to the Hirshhorn Museum in Washington D.C.
"synopsis" may belong to another edition of this title.
Seller: Night Heron Books, Laramie, WY, U.S.A.
Paperback. Condition: Fair. Paperback version.Moderate to major warping to pages from coffee, usually doesn't go deep enough to affect pages. Binding tight.Paperback.Minor marking or underlining to text. Seller Inventory # 765298
Seller: Rodger Friedman Rare Book Studio, ABAA, Tuxedo, NY, U.S.A.
Cloth. Condition: Fine. 32 cm; 250 pages, including 116 plates, mostly in color, and 86 figures in text. Original cloth in illustrated dust jacket. About fine, with an inconspicuous mark on dust jacket spine the only blemish. Catalogue of the exhibition at the Yale University Art Gallery in 1992 and the Hirschhorn Museum in 1993. Seller Inventory # 5629
Seller: Melville Park Books, Northfield, MA, U.S.A.
hardcover. Condition: Good. Modest shelfwear to jacket, house in protective mylar cover. Clean pages and sound binding. Slight spine lean. Seller Inventory # RED1EVH
Seller: Edward Ripp: Bookseller, Albuquerque, NM, U.S.A.
Hard Cover in Dust Jacket. Condition: Near Fine. 4to, 253 pp, near fine in dust jacket. 116 full-page color plates and 86 b&w text illustrations. Seller Inventory # 11312
Seller: art longwood books, Gloucester, MA, U.S.A.
Hard Cover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. cloth, hard cover in dust jacket. no flaws or wear - no writing or markings, no bumps or tears, tightly bound, clean.; published in assoc. with yale university art gallery.; 253pp., illustrated throughout with plates and figures in color, b/w., contains 6 essays by various contributors, reference material. Size: Folio - over 12" - 15" tall. Exhibition Catalogue. Seller Inventory # 23335
Seller: Sainsbury's Books Pty. Ltd., Camberwell, VIC, Australia
4to, 250pp. Colour and black & white illustrations. A near fine hardback copy in like dust jacket. Published in conjunction with the exhibition at the Yale University Art Gallery 15th April-31st July 1992/Hirshhorn Museum and Sculpture Garden, 15th October 1992-10th January 1993. Seller Inventory # 133647
Quantity: 1 available
Seller: Storm Mountain Books, Silver Spring, MD, U.S.A.
Condition: Collectible; Very Good. WITH REVIEW MATERIALS. 1st Edition. New Haven: Yale Univ Press, 1992. Hardcover in dust jacket. With block-printed design cover and 6 PAGES OF REVIEW SHEETS, Etc. Very good overall condition. No markings, etc., NOT EX-LIBRARY. (ab2). Seller Inventory # 0907J367603
Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Seller Inventory # 55371659-75
Seller: Colin Martin Books, Near Hull, EY, United Kingdom
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Qto., 254 pages, illustrated, includes many colour plates. A Fine copy in a Fine dust jacket. Seller Inventory # 103765
Seller: Marcus Campbell Art Books, London, United Kingdom
First Edition. 31 x 26 cm 253 pp with colour and b&w illustrations throughout. Cloth, a few minor marks o.w. very good in lightly worn and marked dustwrapper.l. Seller Inventory # 13638