Ulysses in Black demonstrates that, similar to their white counterparts, African American authors - including Ralph Ellison, Toni Morrison, and Countee Cullen - have been students of classical languages, literature, and mythologies by such writers as Homer, Euripides, and Seneca. Ultimately, this unique study of black classicism becomes an exploration of America's broader cultural integrity, one that is inclusive and historic.
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A powerful and pioneering study that creatively links the rich traditions of classical antiquity to contemporary black thought. I highly recommend it. - Cornel West, Princeton University ""As reader friendly as a tightly reasoned, well-referenced scholarly text can be, this book argues persuasively for a wider integration of classic European texts with African American literature.... Rankine makes an important contribution to the fields of African American literary scholarship and American cultural studies. [Ulysses in Black] should be read and reread."" - Choice ""Rankine's study does not simply introduce the influence of 'the classics' on the writing of African-American authors; he asks us to reconceive American cultural identity through the work of African-American authors such as Ellison. It is a worthy effort and an excellent read."" - Lesliee Antonette, Multicultural Review
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Softcover. Condition: Good. 1. In this groundbreaking work, Patrice D. Rankine asserts that the classics need not be a mark of Eurocentrism, as they have long been considered. Instead, the classical tradition can be part of a self-conscious, prideful approach to African American culture, esthetics, and identity. Ulysses in Black demonstrates that, similar to their white counterparts, African American authors have been students of classical languages, literature, and mythologies by such writers as Homer, Euripides, and Seneca.Ulysses in Black closely analyzes classical themes (the nature of love and its relationship to the social, Dionysus in myth as a parallel to the black protagonist in the American scene, misplaced Ulyssean manhood) as seen in the works of such African American writers as Ralph Ellison, Toni Morrison, and Countee Cullen. Rankine finds that the merging of a black esthetic with the classics-contrary to expectations throughout American culture-has often been a radical addressing of concerns including violence against blacks, racism, and oppression. Ultimately, this unique study of black classicism becomes an exploration of Americas broader cultural integrity, one that is inclusive and historic.Outstanding Academic Title, Choice Magazine. Seller Inventory # SONG0299220044
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