Claude Levi-Strauss’s fascination with Northwest Coast Indian art dates back to the late 1930s. "Sometime before the outbreak of the Second World War," he writes, "I had already bought in Paris a Haida slate panel pipe." In New York in the early forties, he shared his enthusiasm with a group of Surrealist refugee artists with whom he was associated. "Surely it will not be long," he wrote in an article published in 1943, "before we see the collections from this part of the world moved from ethnographic to fine arts museums to take their just place amidst the antiquities of Egypt of Persia and the works of medieval Europe. For this art is not unequal to the greatest, and, in the course of the century and a half of its history that is known to us, it has shown evidence of a superior diversity and has demonstrated apparently inexhaustible talents for renewal."
In The Way of the Masks, first published more than thirty years later, he returned to this material, seeking to unravel a persistent problem that he associated with a particular mask, the Swaihwe, which is found among certain tribes of coastal British Columbia. This book, now available for the first time in an English translation, is a vivid, audacious illustration of Levi-Strauss’s provocative structural approach to tribal art and culture.
Bringing to bear on the Swaihwe masks his theory that mythical representations cannot be understood as isolated objects, Levi-Strausss began to look for links among them, as well as relationships between these and other types of masks and myths, treating them all as parts of a dialogue that has been going on for generations among neighboring tribes. The wider system that emerges form his investigation uncovers the association of the masks with Northwest coppers and with hereditary status and wealth, and takes the reader as far north as the Dene of Alaska, as far south as the Yurok of northern California, and as far away in time and space as medieval Europe. As one reader said of this book, "It will be controversial, as his work always is, and it will stimulate more scholarship on the Northwest Coast than any other single book that I can think of."
"synopsis" may belong to another edition of this title.
Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Seller Inventory # GRP92181775
Seller: BASEMENT BOOKS, Albuquerque, NM, U.S.A.
Cloth. Condition: Fine. Dust Jacket Condition: Very Good. First US Edition. First English translation, First US, First Printing. Hard cover 8vo in black cloth w./silver spine titles. Fine book in Very Good DJ w/tear and large chip top front corner, Smithsonian Gift Shop sticker rear panel, now in clear protective cover. 249pp inc. References, Bibliography, Index; well-illustrated in b/w and color photos. 249 p. Book. Seller Inventory # 038336
Seller: N. Fagin Books, Chicago, IL, U.S.A.
1982. North America, mythology. University of Washington Press. 249p. Good+ black cloth and good+ dust jacket, tight and very clean. Seller Inventory # 19932
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Paperback. Condition: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G0295959290I5N01
Seller: Chaparral Books, Portland, OR, U.S.A.
Hardcover. Condition: Very Good. Dust Jacket Condition: Good. First Edition. Minor wear to slightly cocked binding. Text and images unmarked. Dj shelf worn with scuffs, creases & toning in a mylar cover. Seller Inventory # SELlevWAY
Seller: Smith Family Bookstore Downtown, Eugene, OR, U.S.A.
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. text clean and unmarked. binding tight. boards have very light wear. edges of pages have very light wear. mylar-covered dust jacket has a small closed tear and otherwise light wear. Seller Inventory # 5036025
Seller: N. Fagin Books, Chicago, IL, U.S.A.
1982. North America, mythology. University of Washington Press. 249p. Very good black cloth and good+ dust jacket, tight and very clean. Seller Inventory # 17175
Seller: Andre Strong Bookseller, Blue Hill, ME, U.S.A.
Hardcover. Condition: Very good +. Dust Jacket Condition: very good +. 7 x 9 in. Cloth boards. Condition is VERY GOOD+ ; covers like near new but upper text edge is foxed. Binding tight, text unmarked. DJ is VERY GOOD+ ; like near new. Anth. Stax. Seller Inventory # 45194
Seller: Tattered Spine Books, Santa Fe, NM, U.S.A.
Hardcover. Condition: Very Good. Dust Jacket Condition: Good. 1st Edition. "Claude Levi-Strauss's fascination with Northwest Coast Indian art dates back to the late 1930s. "Sometime before the outbreak of the Second World War," he writes, "I had already bought in Paris a Haida slate panel pipe." In New York in the early forties, he shared his enthusiasm with a group of Surrealist refugee artists with whom he was associated. "Surely it will not be long," he wrote in an article published in 1943, "before we see the collections from this part of the world moved from ethnographic to fine arts museums to take their just place amidst the antiquities of Egypt of Persia and the works of medieval Europe. In The Way of the Masks, first published more than thirty years later, he returned to this material, seeking to unravel a persistent problem that he associated with a particular mask, the Swaihwe, which is found among certain tribes of coastal British Columbia." (excerpt) Book is in very good condition. Pages are bright and clean with no interior markings. Spine is tight with no creases. Profusely illustrated. A near perfect copy and fascinating read. Seller Inventory # ABE-1750609971107
Seller: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, U.S.A.
Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. 1st Edition. X, 249 Pp. Black Cloth Printed In Silver. First Printing. Fine Book. Dj With Wear At Top And Bottom Edges Of Spine, Slight Wear To Tips And Along Bottom Edges. Seller Inventory # 035610