Confronting Images is a confrontational reassessment of the very underpinnings of contemporary art history.
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Georges Didi-Huberman is on the faculty of the École des hautes études en sciences sociales in Paris. His books include Fra Angelico: Dissemblance and Figuration (1995), Invention of Hysteria: Charcot and the Photographic Iconography of the Salpêtriére (2003), and The Surviving Image: Phantoms of Time and Time of Phantoms: Aby Warburg's History of Art (forthcoming from Penn State Press).
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Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - When the French edition of Confronting Images appeared in 1990, it won immediate acclaim because of its far-reaching arguments about the structure of images and the histories ascribed to them by scholars and critics working in the tradition of Vasari and Panofsky. According to Didi-Huberman, visual representation has an 'underside' in which seemingly intelligible forms lose their clarity and defy rational understanding. Art historians, he goes on to contend, have failed to engage this underside, where images harbor limits and contradictions, because their discipline is based upon the assumption that visual representation is made up of legible signs and lends itself to rational scholarly cognition. Seller Inventory # 9780271024721
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Taschenbuch. Condition: Neu. Confronting Images | Questioning the Ends of a Certain History of Art | Georges Didi-Huberman | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2009 | Pennsylvania State University Press | EAN 9780271024721 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand. Seller Inventory # 133524113