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Reasons for Knocking at an Empty House: Writings, 1973-1994 (Writing Art) - Softcover

 
9780262720250: Reasons for Knocking at an Empty House: Writings, 1973-1994 (Writing Art)

Synopsis

Chosen to represent the United States at the 46th Venice Biennale, Bill Viola, a New York artist living on the West Coast, is recognized internationally for his work in video and sound installations. This book brings together a selection of essays, notebook entries, drawings, and descriptions of projects that map Viola's personal course through the readings, observations, experiments, and associations that form the groundwork for his art. Each work illustrated is accompanied by a description by the artist, as well as comments on the work's origins from the artist's notebooks. For the last 25 years, Viola has used innovative multimedia technologies to explore the phenomena of sense perception as a language of the body and avenue to self-knowledge, integrating many disciplines and philosophies to reveal contemporary art's relevance to the modern world. His views have deep roots in mysticism, poetry, philosophy, Eastern art, shamanism, Chinese Taoism, Sufism, and Zen Buddhism. Viola's chief concerns today are to draw attention to the upset ecological balance of nature by focusing on the connection between our inner and outer lives, on the conception of the self as part of the whole. Published in association with the Anthony d'Offay Gallery, London.

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About the Author

Robert Violette is a publisher and editor based in London.

From the Back Cover

Chosen to represent the United States at the 46th Venice Biennale, artist Bill Viola is recognized internationally for his work in video and sound installations. This book brings together a selection of essays, notebook entries, interviews, drawings and descriptions of projects that map Viola's personal course through the readings, observations, experiments, and associations that form the groundwork for his art. Each work illustrated is accompanied by a description by the artist as well as comments on the work's origins from the artist's notebooks. For the last 25 years, Viola has used innovative multimedia technologies to explore the phenomenon of sense perception as a language of the body and avenue to self-knowledge, integrating many disciplines and philosophies to reveal contemporary art's relevance to the modern world. His views have deep roots in mysticism, poetry, philosophy, Eastern art, shamanism, Chinese Taoism, Sufism, and Zen Buddhism. One of Viola's chief concerns today is to focus on the connection between our inner and outer lives, on the conception of the self as part of the whole.

"About this title" may belong to another edition of this title.

  • PublisherThe MIT Press
  • Publication date1995
  • ISBN 10 0262720256
  • ISBN 13 9780262720250
  • BindingPaperback
  • LanguageEnglish
  • Number of pages304

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9780500278376: Bill Viola: Reasons for Knocking at an Empty House: Writings 1973-1994

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ISBN 10:  0500278377 ISBN 13:  9780500278376
Publisher: Thames and Hudson Ltd, 1995
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Soft cover. Condition: Good. Condition: GOOD. Light rubbing wear to cover, spine and page edges. Possible clean ex-library copy, with their stickers and or stamp. 304 pages, 90 B&W illus.; 180 Illustrations, unspecified. This book brings together a selection of essays, notebook entries, drawings, and descriptions of projects that map Viola's personal course through the readings, observations, experiments, and associations that form the groundwork for his art. Each work illustrated is accompanied by a description by the artist, as well as comments on the work's origins from the artist's notebooks. For the last 25 years, Viola has used innovative multimedia technologies to explore the phenomena of sense perception as a language of the body and avenue to self-knowledge, integrating many disciplines and philosophies to reveal contemporary art's relevance to the modern world. His views have deep roots in mysticism, poetry, philosophy, Eastern art, shamanism, Chinese Taoism, Sufism, and Zen Buddhism. Seller Inventory # 062

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Soft cover. Condition: Good. Hardcover. Condition: GOOD. possible clean ex-library copy, with their stickers and or stamp. Chosen to represent the United States at the 46th Venice Biennale, Bill Viola, a New York artist living on the West Coast, is recognized internationally for his work in video and sound installations. This book brings together a selection of essays, notebook entries, drawings, and descriptions of projects that map Viola's personal course through the readings, observations, experiments, and associations that form the groundwork for his art. Each work illustrated is accompanied by a description by the artist, as well as comments on the work's origins from the artist's notebooks. For the last 25 years, Viola has used innovative multimedia technologies to explore the phenomena of sense perception as a language of the body and avenue to self-knowledge, integrating many disciplines and philosophies to reveal contemporary art's relevance to the modern world. His views have deep roots in mysticism, poetry, philosophy, Eastern art, shamanism, Chinese Taoism, Sufism, and Zen Buddhism. Viola's chief concerns today are to draw attention to the upset ecological balance of nature by focusing on the connection between our inner and outer lives, on the conception of the self as part of the whole. Published in association with the Anthony d'Offay Gallery, London. Seller Inventory # 061

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