Immersed in Technology – Art & Virtual Environments (Paper) - Softcover

Moser, Mary Anne

Softcover

ISBN 10: 0262631830 ISBN 13: 9780262631839

Publisher: MIT Press, 1997

Synopsis

The Banff Centre for the Arts has become synonymous for what's hot in the electronic arts, a place where professional artists come to produce new work and develop new skills. This book brings together critical essays along with artists' projects to explore the many issues raised by the creation of virtual environments and to provide a glimpse into worlds that have been much discussed but rarely seen. The book opens with eleven essays that approach the social and cultural implications of cyberspace from the perspective of cultural studies, communications, art history, art criticism, English, and women's studies. These are followed by nine virtual environments (along with statements of what the artists are trying to accomplish in both theoretical and technical terms), created as part of the Art and Virtual Environments Project at the Banff Centre.

About this title

Synopsis

The Banff Centre for the Arts has become synonymous for what's new in the electronic arts, a place where professional artists come to produce new work and develop new skills. This book brings together critical essays along with artists' projects to explore the many issues raised by the creation of virtual environments. The book opens with 11 essays that approach the social and cultural implications of cyberspace from the perspective of cultural studies, communications, art history, art criticism, English, and women's studies. These are followed by nine virtual environments (along with statements of what the artists are trying to accomplish in both theoretical and technical terms), created over a three-year period as part of the Art and Virtual Environments Project at the Banff Centre. Together, writers and artists examine the consequences in cyberspace for race and identity, materiality and the body, landscape and narrative. Specific implications of the masculinist and rationalist biases of cybespace are also discussed.

About the Author

Sean Cubitt is Professor of Film and Television at Goldsmiths, University of London. He is the author of The Cinema Effect and the coeditor of Relive: Media Art Histories, both published by the MIT Press.

Edition details

• Publisher: MIT Press
• Publication date: 1997
• Language: English
• ISBN 10: 0262631830
• ISBN 13: 9780262631839
• Binding: Paperback
• Number of pages: 368