Sphere & Labyrinth Avant Gardes & Architectufrom Piranesi to the 1970′s: Avant-gardes and Architecture from Piranesi to the 1970's - Hardcover

Tafuri

Hardcover

ISBN 10: 0262200619 ISBN 13: 9780262200615

Publisher: MIT Press, 1987

Synopsis

This major work by Manfredo Tafuri, one of today's most important theoretical historians and critics of architecture and urbanism, presents his critique of traditional approaches to historical investigation and criticism in a penetrating analysis of the avant-gardes and discourses of architecture. Tafuri probes the lines between reality and ideology, the gap that avant-garde ideology places between its own demands and its translation into techniques, the ways in which the avant-garde reaches compromises with the world, and the conditions that permit its existence. Interweaving intellectual models and modes of production and consumption, Tafuri constructs an elaborate network of references, comparisons, and analogies that leads to an interpretation of history as an archaeology of fragments and interpretations rather than a linear progression or compact block. In his methodological introduction, he states that the historiographic work should set into crisis not only its subjects and their plurality but also the historical project itself and the critical operations and languages of history it employs. "The Sphere and the Labyrinth" charts an extensive itinerary from Piranesi to postmodernism. Piranesi, "the Wicked Architect, " used architectural language in ways that transgressed and destroyed traditional boundaries. The avant-gardes of the twentieth century continue two major Piranesian themes, "the limit of forms and ... the violence done to the forms themselves." Tafuri points out that what appeared to be the possibility of affecting the social and physical order through the introduction of a "poetics of transgression, " as in the deployment of the metropolis as a mise-en-scene infuturist and expressionist theater or in the encounters between the German and Soviet avant-gardes in Berlin in the early 1920s, emerges merely as aesthetic techniques, codified and self-referential. Dismantling and reassembling the structure of the ideology of the avant-garde, Tafuri analyzes the relationship between the avant-garde and the planning of three great world-systems: the USSR on the threshold of the first 5-year plan; the United States on the verge of the New Deal; and Weimar Germany in the grip of "Sozialpolitik. In the 1970s, he observes, the mechanisms of control and management of urban space clash with political reality. He examines the work of, among others, Stirling, Rossi, Gregotti, Venturi, Eisenman, Graves, Hejduk, Argest, and Gandelsonas, and finds a disenchanted avant-garde engaged in a private dialogue with forms, intent on playing "a glass bead game." Manfredo Tafuri is Chairman of the Faculty of the History of Architecture and the Director of the Institute of History at the Architecture Institute in Venice. He is the author of "Architecture and Utopia and coauthor with Giorgio Ciucci, Francesco Dal Co, and Mario Manieri-Elia of The American City (both MIT Press paperbacks).

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Review

" As it traces the derailings and mistranslations of utopian intentions, "(The Sphere and the Labyrinth) "offers a powerful corrective to conventional histories emphasizing the heroism of the avant-garde. It... also forces the question of whether an ethical architecture is possible." -- Christina Spellman, "Telos" " Tafuri's work is probably the most innovative and exciting new form of European theory since French poststructuralism and this book is probably the best introduction to it for the newcomer. His diagnosis of the dilemmas of modernity and of late capitalism extends the Frankfurt School in new ways, and is bleak implacable, and for that very reason therapeutic and painfully stimulating." -- Fredric Jameson & quot; As it traces the derailings and mistranslations of utopian intentions, (The Sphere and the Labyrinth) offers a powerful corrective to conventional histories emphasizing the heroism of the avant-garde. It... also forces the question of whether an ethical architecture is possible.& quot; -- Christina Spellman, Telos & quot; Tafuri's work is probably the most innovative and exciting new form of European theory since French poststructuralism and this book is probably the best introduction to it for the newcomer. His diagnosis of the dilemmas of modernity and of late capitalism extends the Frankfurt School in new ways, and is bleak implacable, and for that very reason therapeutic and painfully stimulating.& quot; -- Fredric Jameson "As it traces the derailings and mistranslations of utopian intentions, "(The Sphere and the Labyrinth) "offers a powerful corrective to conventional histories emphasizing the heroism of the avant-garde. It... also forces the question of whether an ethical architecture is possible."--Christina Spellman, "Telos" "Tafuri's work is probably the most innovative and exciting new form of European theory since French poststructuralism and this book is probably the best introduction to it for the newcomer. His diagnosis of the dilemmas of modernity and of late capitalism extends the Frankfurt School in new ways, and is bleak implacable, and for that very reason therapeutic and painfully stimulating."--Fredric Jameson

Synopsis

Offers a survey of avant-garde architecture, looks at the work of Stirling, Rossi, Gregotti, Venturi, Eisenman, Graves, Hejuk, Argest, and Gandelsonas, and discusses futurism and expressionism.

Edition details

• Publisher: MIT Press
• Publication date: 1987
• ISBN 10: 0262200619
• ISBN 13: 9780262200615
• Binding: Hardcover
• Language: English
• Number of pages: 400