These essays by art historian and critic Charles Harrison are based on the premise that making art and talking about art are related enterprises. They are written from the point of view of Art & Language, the artistic movement based in England -- and briefly in the United States -- with which Harrison has been associated for thirty years. Harrison uses the work of Art & Language as a central case study to discuss developments in art from the 1950s through the 1980s.According to Harrison, the strongest motivation for writing about art is that it brings us closer to that which is other than ourselves. In seeing how a work is done, we learn about its achieved identity: we see, for example, that a drip on a Pollock is integral to its technical character, whereas a drip on a Mondrian would not be. Throughout the book, Harrison uses specific examples to address a range of questions about the history, theory, and making of modern art -- questions about the conditions of its making and the nature of its public, about the problems and priorities of criticism, and about the relations between interpretation and judgment.
"synopsis" may belong to another edition of this title.
Charles Harrison is Professor of the History and Theory of Art at the Open University, UK.
"About this title" may belong to another edition of this title.
Seller: Et Al's Read & Unread Books, Wausau, WI, U.S.A.
Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. Fine in Fine dust jacket. Bright, snug & unmarked. Seller Inventory # ARTS10416
Seller: Samuel H. Rokusek, Bookseller, Pleasant Prairie, WI, U.S.A.
Cloth. Condition: Fine. Dust Jacket Condition: Fine. First Thus. First MIT printing. Dust jacket now protected in paper backed polyester film. Book has no writing or marking. Seller Inventory # 004008
Seller: B-Line Books, Amherst, NS, Canada
Hardcover. Condition: Fine. Dust Jacket Condition: Good. First Printing. Tight clean unmarked book in black cloth with short tear to either spine end. 302 pp 149 plates. Preface to the MIT edition by the author. Seller Inventory # 13696
Seller: B-Line Books, Amherst, NS, Canada
Hardcover. Condition: Fine. Dust Jacket Condition: Good. First Edition. About new book in bright dj with a vertical tear over half the length of the rear panel. 302 pp Preface to the MIT edition by the author. Seller Inventory # 13695
Seller: Sutton Books, Norwich, VT, U.S.A.
Hardcover. Condition: As New. Dust Jacket Condition: As New. Hbk 302pp an unread copy excellent clean tight unmarked in sleeve-protected dj as new. Seller Inventory # Ar570-B
Seller: Messinissa libri, Milano, MI, Italy
rilegato. Condition: Ottimo (Fine). Volume in ottime condizioni. Copertina rigida con sovraccoperta. Illustrazioni in b/n. The MIT Press. Cambridge, Londra. 2001. Pagg. 300. Book. Seller Inventory # bc_112420
Seller: Antiquariat KAMAS, Düsseldorf, NRW, Germany
XXIII 302 pages with 125 illustrations. With an index and a list of plates.Good copy. Sprache: Englisch Gewicht in Gramm: 1300 Gr.-8° black cloth with dustjacket in red. Seller Inventory # 45271
Seller: Rare Book Cellar, Pomona, NY, U.S.A.
Hardcover. First Edition; First Printing. Near Fine in a Very Good+ dust jacket. 1/4 inch at top of rear flap fold.; 10.3 X 7.2 X 1.1 inches; 326 pages. Seller Inventory # 127194