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Origins, Imitation, Conventions: Representation in the Visual Arts (The MIT Press) - Hardcover

 
9780262011860: Origins, Imitation, Conventions: Representation in the Visual Arts (The MIT Press)

Synopsis

Twelve studies by eminent art historian James S. Ackerman.

This collection contains studies written by art historian James Ackerman over the past decade. Whereas Ackerman's earlier work assumed a development of the arts as they responded to social, economic, political, and cultural change, his recent work reflects the poststructural critique of the presumption of progress that characterized Renaissance and modernist history and criticism. In this book he explores the tension between the authority of the past―which may act not only as a restraint but as a challenge and stimulus―and the potentially liberating gift of invention. He examines the ways in which artists and writers on art have related to ancestors and to established modes of representation, as well as to contemporary experiences. The "origins" studied here include the earliest art history and criticism; the beginnings of architectural drawing in the Middle Ages and Renaissance; Leonardo Da Vinci's sketches for churches, the first in the Renaissance to propose supporting domes on sculpted walls and piers; and the first architectural photographs. "Imitation" refers to artistic achievements that in part depended on the imitation of forms established in practices outside the fine arts, such as ancient Roman rhetoric and print media. "Conventions," like language, facilitate communication between the artist and viewer, but are both more universal (understood across cultures) and more fixed (resisting variation that might diminish their clarity). The three categories are closely linked throughout the book, as most acts of representation partake to some degree of all three.

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About the Author

James S. Ackerman, Arthur Kingsley Porter Professor of Fine Arts Emeritus at Harvard University, is the author of books on Michelangelo's architecture, Palladio, and the villa. He is the winner of the Balzan Prize 2001 in the category of history of architecture, which includes town planning and landscape design presented by the International Balzan Foundation.

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Ackerman, James S.
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Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. Seller Inventory # Z1-H-013-01818

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1st edition. These studies are based on articles and lectures written during the period following the publication of Ackerman's earlier collection, 'Distant Points'. "Reflects the poststructural critique of the presumption of progress that characterised Renaissance and modernist history and criticism.Examines the ways in which artists and writers on art have related to ancestors and to established modes of representation, as well as to contemporary experiences." 23.5cms x 18cms. Pp.xii/328, many black & white figure illustrations. Brown cloth, dustwrapper. VG/VG. Seller Inventory # 46179

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Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. 328 pages plus 11 pages front matter and preface, with index. Twelve essays by the Harvard art historian, written in 1994-2000. Illustrated throughout with b&w photos, art reproductions, drawings. Topics include the history of architectural drawing, particular works by Leonardo da Vinci, Palladio, and others. 7-1/4" x 9-1/4", burnt orange cloth with gilt lettering on spine, practically no visible wear, very slightly cocked, touch of dust to top edge at crown, remainder mark to bottom edge. Pages bright and unmarked. Seller Inventory # AEB-445

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