Drawing from the legacy of Marcel Tabuteau, David McGill has assembled an imaginative study that builds on Tabuteau's gift as a musician and teacher. "Sound in Motion" is a creative work that uses the ideas of Tabuteau, John de Lancie, Sol Schoenbach, and John Minsker to develop musical thought. McGill discusses musical analysis and skeletal structure to help guide phrasing ideas. He considers each element of playing an instrument and contemplates how to improve and develop them. Note grouping, phrasing, breathing, vibrato, and rubato are some of the concepts covered. McGill includes a section that focuses on professional activities such as auditioning, performing, and teaching. Musicians and vocalists alike will find that many of the ideas presented in this book will help develop their musicianship and improve their performance.
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In this thoughtful and imaginative study, David McGill codifies an important oral and aural tradition in musical performance and pedagogy in which he has been an active participant. Growing from the legacy of Marcel Tabuteau, this tradition continued through the work of McGill's own teachers, John de Lancie and Sol Schoenbach. McGill's book will not only be welcomed by performers, but also by musicologists interested in the history of performance practice and music theorists interested in the relationship of analysis and performance. (Kevin Korsyn University of Michigan)
A most important, all encompassing book about music, its nature and its significance, not only for the professional musician, but for all those who see in it an expression of human creation. [McGill] deals with the different expressive means of sound, of styles and, perhaps most important of all for the practicing musician: the connection between attitude and aptitude. He understands perfectly that music is, after all, not a profession, but rather a way of life. . . . A rare book full of knowledge and insight. (Daniel Barenboim world-renowned pianist and conductor)
Grammy winning bassoonist, David McGill, has served as principal bassoon of the Chicago Symphony Orchestra since 1997. He has also served as principal of the Cleveland Orchestra, the Toronto Symphony, and the Tulsa Philharmonic. A graduate of the Curtis Institute of Music in Philadelphia (1985), he has taught at DePaul and Roosevelt Universities in Chicago, Indiana University, the Cleveland Institute of Music, and the University of Toronto. He has given master classes in Finland, Hungary, and across the United States and Canada.
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