Emphasizing post-independent films released since the 1950s and the burgeoning commercial film production of the last decade, "Focus on African Films" provides unique and pluralistic perspectives on filmmaking throughout Africa. As a whole, the collection highlights the distinct thematic, stylistic, and socioeconomic circumstances of African filmmaking. Individual essays show how conditions in Africa have generated a broad range of views and techniques, from the stylistically innovative documentaries of Jean-Marie Teno and Abderrahmane Sissako and the "documentary fiction" of Mahamat-Saleh Haroun to the vibrant art films of Jean-Pierre Bekolo and the new films from South Africa. Contributors also outline the direction of increasingly popular, less didactic sub-Sarahan filmmaking in films such as Daniel Kamwa's "Pousse-Pousse", Ngangura Mweze's "La vie est belle", and Imungu Ivanga's "Dole". Up-to-date and richly informative, "Focus on African Films" will be essential reading for students and scholars of African film.
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Françoise Pfaff is Professor of French and Francophone Studies at Howard University, where she teaches courses on literature and film from France, West Africa, and the Caribbean.
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Seller: TotalitarianMedia, Los Angeles, CA, U.S.A.
Hardcover. Condition: Good. No Jacket. Focus on African Films. Francoise Pfaff (ed.) Indiana University Press, 2004. 327p. trade paperback, covers bumped/scuffed, binding tight, text clean, underlining/marginalia in one chapter only (chap.8, "Manu Dibango and Ceddo's Transatlantic Soundscape," by Brenda Berrian) rest of text is clean, price sticker back cover--0253343887 ISBN 13: 9780253343888--8.50. Seller Inventory # ABE-1490047863136