"In this era of monolithic record companies and predictably contrived music, it's refreshing to read about mavericks who took chances... a look at ten visionaries who altered the course of popular music." --Playboy " ... close-up portraits of risk-taking label owners who often gambled their careers and livelihoods to release music they believed in." --Billboard " ... [a] volume that--like the labels it celebrates, and the 45s and 78s those labels put out--is full of exciting and vital content." --San Francisco Chronicle "This book is a great piece of storytelling... well written, crammed full of interesting facts, and great fun." --Dirty Linen "Kennedy and McNutt celebrate the predecessors of today's vaunted indie record companies in this rich survey... In profiling the feisty underdogs who produced so much music that 'is still very much with us,' Kennedy and McNutt also explore the commercial and social forces affecting the industry." --Booklist
Rave Reviews for LITTLE LABELS--BIG SOUND". . . Kennedy . . . and McNutt . . . tell how 10 independent labels shaped the course of American popular music. Predictably, Sam Phillips's Sun Labels, perhaps the most celebrated 'little label' in music history, merits a chapter. More interesting, though, are profiles of less familiar independents such as Don Robey's gospel-oriented Peacock Records and John Vincent's pioneering rhythm-and-blues label, Ace. The authors skillfully lay out the complex racial politics of their story, showing, for example, how a shared interest in profits and fresh sounds could bring together personalities as diverse as 'Soul Brother number One,' James Brown, and Syd Nathan, the feisty Jewish entrepreneur whose Cincinnati-based King Records made Brown a million-seller. The book includes scores of fascinating label-artist dramas, some well known . . . others long forgotten. . . . An invaluable guide to the businesspeople, musicians, and hangers-on who transformed regional musical styles into a national soundtrack, this book belongs on the same shelf as Peter Guralnick's 'SWEET SOUL MUSIC' and Alan Lomax's "THE LAND WHERE BLUES BEGAN.' --Publishers Weekly, 4/26/99
"Kennedy and McNutt celebrate the predecessors of today's vaunted indie record companies in this rich survey. . . . In profiling the feisty underdogs who produced so much music that 'is still very much with us,' Kennedy and McNutt also explore the commercial and social forces affecting the industry." --Booklist, 3/15/99
"Journalists Kennedy and McNutt have produced an extensively researched look at a time when primitive recording equipment was the standard and hunger for a quick buck was the rule. A guide to reissue anthologies for each of the labels covered is an added treat." --Library Journal