The German lied, or art song, is considered one of the most intimate of all musical genres―often focused on the poetic speaker's inner world and best suited for private and semi-private performance in the home or salon. Yet, problematically, any sense of inwardness in lieder depends on outward expression through performance.
With this paradox at its heart, Intimacy, Performance, and the Lied in the Early Nineteenth Century explores the relationships between early nineteenth-century theories of the inward self, the performance practices surrounding inward lyric poetry and song, and the larger conventions determining the place of intimate poetry and song in the public concert hall. Jennifer Ronyak studies the cultural practices surrounding lieder performances in northern and central Germany in the first quarter of the nineteenth century, demonstrating how presentations of lieder during the formative years of the genre put pressure on their sense of interiority. She examines how musicians responded to public concern that outward expression would leave the interiority of the poet, the song, or the performer unguarded and susceptible to danger. Through this rich performative paradox Ronyak reveals how a song maintains its powerful intimacy even during its inherently public performance.
"synopsis" may belong to another edition of this title.
Jennifer Ronyak is Senior Scientist in Musicology at the Institut für Musikästhetik of the Universität für Musik und darstellende Kunst Graz.
"About this title" may belong to another edition of this title.
Seller: Colin Coleman Music, Stewkley, United Kingdom
Size: 8vo. xi, 236pp. Publisher's printed paperback (bumped and creased). Music examples and facsimiles. Seller Inventory # 32870
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New. Seller Inventory # 33184436-n
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New. The German lied, or art song, is considered one of the most intimate of all musical genres-often focused on the poetic speaker's inner world and best suited for private and semi-private performance in the home or salon. Yet, problematically, any sense of inwardness in lieder depends on outward expression through performance. With this paradox at its heart, Intimacy, Performance, and the Lied in the Early Nineteenth Century explores the relationships between early nineteenth-century theories of the inward self, the performance practices surrounding inward lyric poetry and song, and the larger conventions determining the place of intimate poetry and song in the public concert hall. Jennifer Ronyak studies the cultural practices surrounding lieder performances in northern and central Germany in the first quarter of the nineteenth century, demonstrating how presentations of lieder during the formative years of the genre put pressure on their sense of interiority. She examines how musicians responded to public concern that outward expression would leave the interiority of the poet, the song, or the performer unguarded and susceptible to danger. Through this rich performative paradox Ronyak reveals how a song maintains its powerful intimacy even during its inherently public performance. Seller Inventory # LU-9780253035769
Quantity: 3 available
Seller: BargainBookStores, Grand Rapids, MI, U.S.A.
Paperback or Softback. Condition: New. Intimacy, Performance, and the Lied in the Early Nineteenth Century. Book. Seller Inventory # BBS-9780253035769
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition. Seller Inventory # 33184436
Seller: California Books, Miami, FL, U.S.A.
Condition: New. Seller Inventory # I-9780253035769
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # FW-9780253035769
Quantity: 15 available
Seller: Brook Bookstore On Demand, Napoli, NA, Italy
Condition: new. Seller Inventory # a77702d27f57f349607f6e4b99db5590
Quantity: Over 20 available
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condition: new. Paperback. The German lied, or art song, is considered one of the most intimate of all musical genres-often focused on the poetic speaker's inner world and best suited for private and semi-private performance in the home or salon. Yet, problematically, any sense of inwardness in lieder depends on outward expression through performance. With this paradox at its heart, Intimacy, Performance, and the Lied in the Early Nineteenth Century explores the relationships between early nineteenth-century theories of the inward self, the performance practices surrounding inward lyric poetry and song, and the larger conventions determining the place of intimate poetry and song in the public concert hall. Jennifer Ronyak studies the cultural practices surrounding lieder performances in northern and central Germany in the first quarter of the nineteenth century, demonstrating how presentations of lieder during the formative years of the genre put pressure on their sense of interiority. She examines how musicians responded to public concern that outward expression would leave the interiority of the poet, the song, or the performer unguarded and susceptible to danger. Through this rich performative paradox Ronyak reveals how a song maintains its powerful intimacy even during its inherently public performance. Through this rich performative paradox Ronyak reveals how a song maintains its powerful intimacy even during its inherently public performance. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780253035769
Seller: Revaluation Books, Exeter, United Kingdom
Paperback. Condition: Brand New. 236 pages. 8.75x6.00x0.75 inches. In Stock. This item is printed on demand. Seller Inventory # __0253035767
Quantity: 2 available