Emphasizing the global nature of Indian and Chinese film, television, and digital media, Reorienting Global Communication: Indian and Chinese Media Beyond Borders provides a diverse mix of alternative perspectives that collectively shift the discussion of media globalization away from Hollywood and New York.
Linked by a shared history of colonialism, state socialism, large diasporas, and recent market liberalization, India and China are poised to become twenty-first-century world powers. While both enjoy a rich ensemble of religious iconography, legends, and folk traditions, Indian and Chinese producers and consumers are today challenged to find modes of expression that are culturally authentic and commercially viable in an increasingly globalized media environment.
Essays cover topics such as the influence of transnational Indian families on the narrative elements of Bollywood productions, the rise of made-in-China blockbusters, the development of pan-Asian cinema, and migrants' use of the Internet to maintain connections with their homelands.
Contributors are Michael Curtin, Chua Beng Huat, Shanti Kumar, Chin-Chuan Lee, Madhavi Mallapragada, Divya C. McMillin, Sreya Mitra, Sujata Moorti, Zhongdang Pan, Aswin Punathambekar, Jack Linchuan Qiu, Hemant Shah, Lakshmi Srinivas, Emilie Yueh-yu Yeh, and Yuezhi Zhao.
"synopsis" may belong to another edition of this title.
Michael Curtin is the Duncan and Suzanne Mellinchamp Professor of Global Media and a professor of film and media studies at the University of California, Santa Barbara, and the author of Playing to the World's Biggest Audience: The Globalization of Chinese Film and TV.
Hemant Shah is the director of graduate studies and a professor of journalism and mass communication at the University of Wisconsin, Madison, and the coauthor of Newspaper Coverage of Interethnic Conflict: Competing Visions of America.
"About this title" may belong to another edition of this title.
Seller: Jackson Street Booksellers, Omaha, NE, U.S.A.
Hardcover. Condition: Fine. No Jacket. 1st Edition. Fine in burgundy cloth with gilt titles. 313pp 8vo. Film. Seller Inventory # 904210
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized. Seller Inventory # M0252035011Z3
Seller: Any Amount of Books, London, United Kingdom
8vo. pp ix, 313. Original publisher's red cloth with lettered gilt at the spine. Illustrated in black and white. ISBN: 9780252035012 About fine. Seller Inventory # C26508
Seller: INDOO, Avenel, NJ, U.S.A.
Condition: New. Brand New. Seller Inventory # 9780252035012
Seller: Books Puddle, New York, NY, U.S.A.
Condition: New. pp. 328. Seller Inventory # 26691680
Seller: Majestic Books, Hounslow, United Kingdom
Condition: New. pp. 328. Seller Inventory # 8204863
Seller: Biblios, Frankfurt am main, HESSE, Germany
Condition: New. pp. 328. Seller Inventory # 18691690
Seller: moluna, Greven, Germany
Condition: New. Emphasizing the global nature of Indian and Chinese film, television, and digital media, this book provides a diverse mix of alternative perspectives that collectively shift the discussion of media globalization away from Hollywood and New York.Inha. Seller Inventory # 867654703