A practical guide to directing including pre-production, production and post-production and a discussion of aesthetics and authorship. It also includes a number of projects and execises for readers to use for practicing techniques.
"synopsis" may belong to another edition of this title.
'This is the only comprehensive book on filmmaking that I recommend to my students', Jeremy Kagan, USC Graduate Film School; Artistic Director Sundance Institute
'It is an inspirational and comprehensive book that also goes into the art
of story construction for the screen ...'
Important new content
This edition has an important new part titled "Artistic Identity." It includes three chapters--"The Job of the Director", "Identifying Your Themes as a Director," and "Developing Your Story Ideas." I wrote them because I realized from my travels that though film techniques are being taught everywhere, almost no film school and no text is explaining the focusing self-awareness that alone produces coherent authorship. Instead, filmmakers get consumed by the medium's technology. This leaves aside the vital questions about how and why one wants to speak to an audience through the medium, and what one's life has equipped one to contribute. This is a much needed innovation as it prepares the ground for integrated filmmaking (or videomaking, of course), one with an individual point of view--something one seldom finds in much screen work generally. Hope you find it useful. --Michael Rabiger.
"About this title" may belong to another edition of this title.
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