In this collection of essays, literary and cultural critics, musicologists and queer theorists explore the way opera shapes national character through its representations of gender, sexuality and class.
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"[ "The Work of Opera"] opens up some remarkable territory, and it does so with considerable elan." -- Christopher Morris, "19th Century Music"
RICHARD DELLAMORA teaches in the English and Cultural Studies Departments at Trent University. DANIEL FISCHLIN teaches in the Department of English at Guelph University.
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