As ancient as Homer's lines on the shield of Achilles and as recent as John Ashbery's "Self-Portrait in a Convex Mirror," ekphrasis is the art of describing works of art. Over the ages its practitioners have created a museum of words about real and imaginary paintings and sculptures - a museum that James Heffernan explores in this book. Profoundly ambivalent, ekphrastic poetry celebrates the power of the image even as it tries to circumscribe that power with the authority of the word. This contest is typically gendered: the voice of male speech striving to control a female image that is both alluring and threatening, male narrative seeking to overcome the fixating impact of beauty poised in space. Moving from the epics of Homer, Virgil, and Dante to contemporary American poetry, this book presents a history of struggle between rival systems of representation. Heffernan also shows how this struggle changes. Poets ranging from Ovid to Shakespeare use verbalized depictions of rape to show the violence men do under the "colour" of their words; romantic poetry at once salutes and questions the transcendent beauty of visual art preserved in the newly born public museum. In the modern and postmodern eras, poets contend with all the words generated by museums themselves to regulate our experience of visual art.
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Destination, rates & speedsSeller: BookAddiction (IOBA, IBooknet), Canterbury, United Kingdom
Hardcover. Condition: Good. xii, 250pp. Brown cloth-covered boards; gilt titles on spine. 8vo. Rubbed spine ends with cloth wearing, shelf number label on spine. Lender's stamps, security device and markings on endpapers and copyright page. Otherwise, internally neat, clean, bright and tight. Seller Inventory # 026490
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Seller: SKULIMA Wiss. Versandbuchhandlung, Westhofen, Germany
Condition: Wie Neu. Zustandsbeschreibung: textsauberes Exemplar mit leichten Gebrauchsspuren, leicht berieben/clean text pages, minor traces of use, slightly rubbed. The Poetics of Ekphrasis from Homer to Ashbery. Ekphrastic poetry celebrates the power of the image as it tries to circumscribe that power with the authority of the word. From the epics of Homer, Virgil and Dante to contemporary American poetry, the book presents a history of struggle between rival systems of representation. XII,249 Seiten mit 12 Abb., gebunden (University of Chicago Press 1993). Gewicht: 540 g - Gebunden/Gebundene Ausgabe - Sprache: Englisch. Seller Inventory # 701519
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Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc. Seller Inventory # 00085009933
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Seller: The Unskoolbookshop, Brattleboro, VT, U.S.A.
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 0226323137 Previous owner's gift note on endpaper. A nice, tight, unmarked copy. Ekphrasis is the art of describing works of art, the verbal representation of visual representation. Profoundly ambivalent, ekphrastic poetry celebrates the power of the silent image even as it tries to circumscribe that power with the authority of the word. Over the ages its practitioners have created a museum of words about real and imaginary paintings and sculptures. In the first book ever to explore this museum, James Heffernan argues that ekphrasis stages a battle for mastery between the image and the word. Moving from the epics of Homer, Virgil, and Dante to contemporary American poetry, this book treats the history of struggle between rival systems of representation. Readable and well illustrated, this study of how poets have represented painting and sculpture is a major contribution to our understanding of the relation between the arts. Book. Seller Inventory # 028884
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