Items related to Crone: Kazimir Malevich
Synopsis
Kasimir Malevich's (1878-1935) sudden and startling
realization of a nonrepresentational way of painting, which
he called Suprematism, stands as a seminal moment in
twentieth-century art. Rainer Crone and David Moos trace the
artist's development from his beginnings in the Ukraine to
his involvement with Futurist circles in Moscow through to
the late 1920s and beyond. They convincingly demonstrate
that Malevich's late representational painting, still widely
misunderstood, solidifies his extraordinarily inventive
stance.
Against the historical background of distinctly Russian
progressive cultural and scientific movements, the authors
define affinities between Malevich's work and other
nonpolitical revolutions: relativity and quantum theory in
physics; the work of Roman Jakobson and the "Prague School"
in linguistics; and the exploration of language in the
writings of the poet Velimir Khlebnikov. They situate the
artist within the fundamental epistemological shift from
nineteenth-century objectivity to an all-pervasive modernist
subjectivity, relying upon Malevich's contribution to
illustrate the ways cultural production is mediated through
various modes of transmission.
Rainer Crone holds the Chair for Twentieth Century Art
at Ludwig-Maximilians-Universitä ;t, Munich, and is adjunct
professor of art history at Columbia University. David
Moos is a doctoral candidate in art history at Columbia
University.
realization of a nonrepresentational way of painting, which
he called Suprematism, stands as a seminal moment in
twentieth-century art. Rainer Crone and David Moos trace the
artist's development from his beginnings in the Ukraine to
his involvement with Futurist circles in Moscow through to
the late 1920s and beyond. They convincingly demonstrate
that Malevich's late representational painting, still widely
misunderstood, solidifies his extraordinarily inventive
stance.
Against the historical background of distinctly Russian
progressive cultural and scientific movements, the authors
define affinities between Malevich's work and other
nonpolitical revolutions: relativity and quantum theory in
physics; the work of Roman Jakobson and the "Prague School"
in linguistics; and the exploration of language in the
writings of the poet Velimir Khlebnikov. They situate the
artist within the fundamental epistemological shift from
nineteenth-century objectivity to an all-pervasive modernist
subjectivity, relying upon Malevich's contribution to
illustrate the ways cultural production is mediated through
various modes of transmission.
Rainer Crone holds the Chair for Twentieth Century Art
at Ludwig-Maximilians-Universitä ;t, Munich, and is adjunct
professor of art history at Columbia University. David
Moos is a doctoral candidate in art history at Columbia
University.
"synopsis" may belong to another edition of this title.
About the Author
Rainer Crone is Professor of Twentieth-century Art at the University of Munich. He has co-authored a number of publications with David Moos.
"About this title" may belong to another edition of this title.
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Search results for Crone: Kazimir Malevich
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Kazimir Malevich: The Climax of Disclosure
Published by
University of Chicago Press, 1991
ISBN 10: 0226120937
ISBN 13: 9780226120935
Used
Hardcover
First Edition
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Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. 1st Edition. Oversize. Book is Fine. Spine head of dust jacket a little crinkled, with a short tear. Seller Inventory # 223664
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Kazimir Malevich: The Climax of Disclosure
Published by
University of Chicago Press, 1991
ISBN 10: 0226120937
ISBN 13: 9780226120935
Used
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Kazimir Malevich: The Climax of Disclosure
Published by
University of Chicago Press, 1991
ISBN 10: 0226120937
ISBN 13: 9780226120935
Used
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Hardcover with dustjacket, 230 pages, very good condition; no internal marks, clean and crisp. Foreign shipping may be extra. Seller Inventory # KaMaUn20
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Kazimir Malevich: The Climax of Disclosure
Published by
University of Chicago Press, 1991
ISBN 10: 0226120937
ISBN 13: 9780226120935
Used
Hardcover
First Edition
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Hardcover. Condition: Very Good. Dust Jacket Condition: Good. 1st Edition. Oversized hardback book (230 pages)illustrated with vintage black and white photographs and color reproductions of the artist work. Dust jacket shows scuffing/rubbing with small nicks at edge. INTERNATIONAL SHIPPING WILL REQUIRE ADDITIONAL CHARGE. Bookseller since 1995 (LL-Base2-E-Top-Flat) rareviewbooks. Seller Inventory # RVB06282003
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Kazimir Malevich: The Climax of Disclosure.
Published by
University of Chicago Press,, Chicago:, 1991
ISBN 10: 0226120937
ISBN 13: 9780226120935
Used
Hardcover
First Edition
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Kazimir Malevich: The Climax of Disclosure Crone, Rainer and Moos, David
Published by
University of Chicago Press, 1991
ISBN 10: 0226120937
ISBN 13: 9780226120935
Used
Hardcover
Seller: Mercantile Books, Columbus, OH, U.S.A.
Seller rating 5 out of 5 stars
hardcover. Condition: Very Good. First Edition. First Printing. Hardcover in Dust Jacket. Pages clean, unmarked. Cover and Jacket have light wear. Small patch of sticker residue inside front cover. Shipped promptly with Tracking. MISC8. Seller Inventory # MB-5B1P-M6IQ
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Kazimir Malevich : the climax of disclosure
Published by
University of Chicago Press, Chicago, IL, 1991
ISBN 10: 0226120937
ISBN 13: 9780226120935
New
Hardcover
Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.
Seller rating 4 out of 5 stars
Hardcover. Condition: New. Black cloth with white spine lettering, black glossy color illustrated dustjacket. viii, 230 pp., 155 illustrations, including 50 in color. Kasimir Malevich's (1878-1935) sudden and startling realization of a nonrepresentational way of painting, which he called Suprematism, stands as a seminal moment in twentieth-century art. Rainer Crone and David Moos trace the artist's development from his beginnings in the Ukraine to his involvement with Futurist circles in Moscow through to the late 1920s and beyond. They convincingly demonstrate that Malevich's late representational painting, still widely misunderstood, solidifies his extraordinarily inventive stance. Against the historical background of distinctly Russian progressive cultural and scientific movements, the authors define affinities between Malevich's work and other nonpolitical revolutions: relativity and quantum theory in physics the work of Roman Jakobson and the "Prague School" in linguistics and the exploration of language in the writings of the poet Velimir Khlebnikov. They situate the artist within the fundamental epistemological shift from nineteenth-century objectivity to an all-pervasive modernist subjectivity, relying upon Malevich's contribution to illustrate the ways cultural production is mediated through various modes of transmission. Rainer Crone holds the Chair for Twentieth Century Art at Ludwig-Maximilians-Universitä ;t, Munich, and is adjunct professor of art history at Columbia University. David Moos is a doctoral candidate in art history at Columbia University. Contents as follows: Introduction: This book . and the end of experience -- 1. The question of information -- 2. Artistic positions: a critical survey -- 3. Origins of a painter -- 4. Cubo-futurism: interchanges -- 5. Passages through poetry -- 6. The edge of innovation -- 7. Subjectivity in temporality -- 8. Late sensations and the new reality -- 9. The free imaginary variation -- Exhibitions. Seller Inventory # 168109
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Kazimir Malevich : The Climax of Disclosure
Published by
University of Chicago Press, Chicago, IL, U.S.A., 1991
ISBN 10: 0226120937
ISBN 13: 9780226120935
Used
Hardcover
First Edition
Seller: modern-ISM, Los Angeles, CA, U.S.A.
Seller rating 5 out of 5 stars
Original Cloth. Condition: Fine. Dust Jacket Condition: Fine. First Edition. A crisp, clean Fine copy with a trace of foxing to the top edges in a Fine mylar-protected dust jacket (front slightly rubbed and back has some rubbing and light scratches). A crisp, unread copy. 230 pp., profusely illustrated in color and B&W, extensive bibliography and index. The authors define the influences that shaped the dramatic shift in Malevich's oeuvre- from his early examination of Cezanne and his involvement in Futurist circles to his rejection of mimesis and to the final wprks following 1927. Seller Inventory # 001730
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Kazimir Malevich: The Climax of Disclosure
Published by
University of Chicago Press December 1991, 1991
ISBN 10: 0226120937
ISBN 13: 9780226120935
Used
Hardcover
Seller: Hennessey + Ingalls, Los Angeles, CA, U.S.A.
Seller rating 4 out of 5 stars
Hardcover. Condition: Used - Very Good. Kasimir Malevich's (1878-1935) sudden and startling realization of a nonrepresentational way of painting, which he called Suprematism, stands as a seminal moment in twentieth-century art. Rainer Crone and David Moos trace the artist's development from his beginnings in the Ukraine to his involvement with Futurist circles in Moscow through to the late 1920s and beyond. They convincingly demonstrate that Malevich's late representational painting, still widely misunderstood, solidifies his extraordinarily inventive stance. Against the historical background of distinctly Russian progressive cultural and scientific movements, the authors define affinities between Malevich's work and other nonpolitical revolutions: relativity and quantum theory in physics; the work of Roman Jakobson and the 'Prague School' in linguistics; and the exploration of language in the writings of the poet Velimir Khlebnikov. They situate the artist within the fundamental epistemological shift from nineteenth-century objectivity to an all-pervasive modernist subjectivity, relying upon Malevich's contribution to illustrate the ways cultural production is mediated through various modes of transmission. Rainer Crone holds the Chair for Twentieth Century Art at Ludwig-Maximilians-Universitä t, Munich, and is adjunct professor of art history at Columbia University. David Moos is a doctoral candidate in art history at Columbia University. Very nice clean, tight copy free of any marks. Seller Inventory # 210764
Stock Image
Kazimir Malevich The Climax of Disclosure.
Published by
[Chicago]: University Of Chicago Press, [1991]., 1991
ISBN 10: 0226120937
ISBN 13: 9780226120935
Used
Hardcover
First Edition
Seller: D & E LAKE LTD. (ABAC/ILAB), Toronto, ON, Canada
Seller rating 3 out of 5 stars
Hardcover. Dust Jacket Included. 4to. pp. viii, 230. 155 illus. (many colour). biblio. index. cloth. dw. (extremities slightly chipped). First Edition. Seller Inventory # AONziCRO70