This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1852 edition. Excerpt: ...of his style, he mainly inclined. His next journey was to Petersburg, where he resided several years, as the Emperor's First Violin. In 1805 or 1806, he returned to his native city; and was appointed leader at the King's Chapel. A suavity and elegance, especially in cantabile movements--a tasteful selection of ornament--and an exemplary purity of tone--have been remarked as denoting this artist. The scene in his career which exhibits him in an indiscreet rivalry with Paganini, will be found under the memoir given of that extraordinary person. Pierre Baillot, of high name in the French School, which he was partly enabled to acquire through Italian instruction, was born about the year 1770, near Paris, to which city the curious in coincidences will be delighted to find that they can trace the local origin of so many of those eminent violinists who have made it, also, the scene of their brilliant exertions. Baillot repaired early to Rome, where he remained some years under the tuition of Polani, an excellent Professor of the school of Tartini. His own feeling and intellect appear to have done more for his advancement, however, than the lessons of preceptors. An artist of a very high order, well versed in the mechanical resources of his instrument, he was also thoroughly embued with musical sentiment, and was a discriminating judge in matters of composition. After his return from Italy, the sound and excellent qualifications he evinced were the cause of his succeeding Rode, about the year 1795, as Professor of the violin at the Paris Conservatory. He was the editor, and (with Rode and Kreutzer) a joint compiler, of the noted System of Instruction which has contributed so important an aid towards the successful formation of, perhaps, all the...
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