Embodying Mexico examines two performative icons of Mexicanness-the Dance of the Old Men and Night of the Dead of Lake P�tzcuaro-in numerous manifestations, including film, theater, tourist guides, advertisements, and souvenirs. Covering a ninety-year period from the postrevolutionary era to the present day, Hellier-Tinoco's analysis is thoroughly grounded in Mexican politics and history, and simultaneously incorporates choreographic, musicological, and dramaturgical analysis. Exploring multiple contexts in Mexico, the U.S.A., and Europe, Embodying Mexico expands and enriches our understanding of complex processes of creating national icons, performance repertoires, and tourist attractions, drawing on wide-ranging ethnographic, archival, and participatory experience. An extensive companion website illustrates the author's arguments through audio and video.
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Ruth Hellier-Tinoco is a professor in the Departments of Music and Theater/Dance at the University of California, Santa Barbara. Her research engages the fields of performance studies, ethnomusicology, dance anthropology, theater studies, Latin American history, and community arts.
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