In the final years of the seventeenth century in a small New England town, the venerable Colonel Pyncheon decides to erect a ponderously oak-framed and spacious family mansion. It occupies the spot where Matthew Maule, `an obscure man', had lived in a log hut, until his execution for witchcraft. From the scaffold, Maule points his finger at the presiding Colonel and cries `God will give him blood to drink!' The fate of Colonel Pyncheon exerts a heavy influence on his descendants in the crumbling mansion for the next century and a half.
Hawthorne called his novel a `Romance', drawing on the Gothic tradition which embraced and exploited the thrills of the supernatural. Unlike The Scarlet Letter, with its unrelentingly dark view of human nature and guilt, Hawthorne sought to write `a more natural and healthy product of my mind', a story which would show guilt to be a trick of the imagination. The tension between fantasy and a new realism underpins the novel's descriptive virtuosity.
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"A large and generous production, pervaded with that vague hum, that indefinable echo, of the whole multitudinous life of man, which is the real sign of a great work of fiction."
--Henry James
-A large and generous production, pervaded with that vague hum, that indefinable echo, of the whole multitudinous life of man, which is the real sign of a great work of fiction.-
--Henry James
A gloomy New England mansion provides the setting for this classic exploration of ancestral guilt and its expiation through the love and goodwill of succeeding generations.
Nathaniel Hawthorne drew inspiration for this story of an immorally obtained property from the role his forebears played in the 17th-century Salem witch trials. Built over an unquiet grave, the House of the Seven Gables carries a dying man's curse that blights the lives of its residents for over two centuries. Now Judge Jaffrey Pyncheon, an iron-hearted hypocrite and intellectual heir to the mansion's unscrupulous founder, is attempting to railroad a pair of his elderly relatives out of the house. Only two young people stand in his way--a visiting country cousin and an enigmatic boarder skilled in mesmerism.
Hawthorne envisioned this family drama of evil, revenge, and resolution as a microcosm of Salem's own history as in idealistic society corrupted by greed and pride. His enduring view of the darkness at the heart of the national soul has made The House of the Seven Gables a landmark of American literature.
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