What do we do when we view a work of art? What does it mean to have an "aesthetic" experience? Are such experiences purely in the eye (and brain) of the beholder? Such questions have entertained philosophers for millennia and psychologists for over a century. More recently, with the advent of functional neuroimaging methods, a handful of ambitious brain scientists have begun to explore the neural correlates of such experiences. The notion of aesthetics is generally linked to the way art evokes an hedonic response―we like it or we don't. Of course, a multitude of factors can influence such judgments, such as personal interest, past experience, prior knowledge, and cultural biases. In this book, philosophers, psychologists, and neuroscientists were asked to address the nature of aesthetic experiences from their own discipline's perspective. In particular, we asked these scholars to consider whether a multidisciplinary approach, an aesthetic science, could help connect mind, brain, and aesthetics. As such, this book offers an introduction to the way art is perceived, interpreted, and felt and approaches these mindful events from a multidisciplinary perspective.
"synopsis" may belong to another edition of this title.
"Shimamura and Palmer's excellent book resurrects Gustav Theodor Fechner's plan from the 1870s for an empirical science of art and aesthetics, a project which briefly flourished before withering during the 20th century. In a millennial renaissance, the cognitive sciences have readdressed art and aesthetics, in what Shimamura and Palmer aptly call Aesthetic Science." -- Chris McManus, Professor of Psychology and Medical Education at University College London
Arthur P. Shimamura is Professor of Psychology at the University of California, Berkeley. He investigates human memory and cognition using neuroimaging techniques and by studying individuals with memory disorders. Dr. Shimamura is a founding member of the Society for Cognitive Neuroscience, has been a scientific advisor for the San Francisco Exploratorium Science Museum, and received a John Simon Guggenheim Fellowship to explore art, aesthetics, and brain. Stephen E. Palmer, is Professor of Psychology at the University of California, Berkeley. His research and teaching focus is on visual perception, a topic closely related to his color photography. He is the author of Vision Science: Photons to Phenomenology, an advanced, interdisciplinary textbook on visual perception.
"About this title" may belong to another edition of this title.
£ 3.49 shipping within United Kingdom
Destination, rates & speeds£ 14.90 shipping from U.S.A. to United Kingdom
Destination, rates & speedsSeller: Hard To Find Editions, Bristol, AVON, United Kingdom
Soft cover. Condition: Good. This book has been read. Personal inscription to 1st inner page. However, all pages are intact with no highlighting or writing contained within. The spine remains undamaged with tight binding and the book is generally in very good condition. Fast dispatch within and from the UK. 100% money-back guarantee. Seller Inventory # ABE-1719255924056
Quantity: 1 available
Seller: Better World Books Ltd, Dunfermline, United Kingdom
Condition: Good. Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Seller Inventory # 10397706-20
Quantity: 1 available
Seller: Bulrushed Books, Moscow, ID, U.S.A.
Condition: Acceptable. LIGHTNING FAST SHIPPING! Binding and pages have been heavily repaired and reinforced with tape, has tape and stickers on the cover, as well as marks and notes on the pages. Definitely not pretty, but it's a working copy at a great price that ships fast. ~ Book does NOT contain an access code or CD. ~. Seller Inventory # #88E-00039
Quantity: 3 available
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New. Seller Inventory # 19929684-n
Quantity: Over 20 available
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New. This book offers an introduction to the way art is perceived, interpreted, and felt and approaches these mindful events from a multidisciplinary perspective. Editor(s): Shimamura, Arthur P.; Palmer, Stephen E. Num Pages: 424 pages, illustrations. BIC Classification: JMR; MJN; PSAN. Category: (G) General (US: Trade). Dimension: 234 x 155 x 25. Weight in Grams: 732. . 2013. 1st Edition. Paperback. . . . . Seller Inventory # V9780199355808
Quantity: 4 available
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition. Seller Inventory # 19929684
Quantity: 1 available
Seller: Revaluation Books, Exeter, United Kingdom
Paperback. Condition: Brand New. 1st edition. 424 pages. 9.20x6.10x1.10 inches. In Stock. Seller Inventory # x-0199355800
Quantity: 2 available
Seller: Kennys Bookstore, Olney, MD, U.S.A.
Condition: New. This book offers an introduction to the way art is perceived, interpreted, and felt and approaches these mindful events from a multidisciplinary perspective. Editor(s): Shimamura, Arthur P.; Palmer, Stephen E. Num Pages: 424 pages, illustrations. BIC Classification: JMR; MJN; PSAN. Category: (G) General (US: Trade). Dimension: 234 x 155 x 25. Weight in Grams: 732. . 2013. 1st Edition. Paperback. . . . . Books ship from the US and Ireland. Seller Inventory # V9780199355808
Quantity: 4 available
Seller: AHA-BUCH GmbH, Einbeck, Germany
Taschenbuch. Condition: Neu. Neuware - This book offers an introduction to the way art is perceived, interpreted, and felt and approaches these mindful events from a multidisciplinary perspective. Seller Inventory # 9780199355808
Quantity: 2 available
Seller: Grand Eagle Retail, Fairfield, OH, U.S.A.
Paperback. Condition: new. Paperback. What do we do when we view a work of art? What does it mean to have an "aesthetic" experience? Are such experiences purely in the eye (and brain) of the beholder? Such questions have entertained philosophers for millennia and psychologists for over a century. More recently, with the advent of functional neuroimaging methods, a handful of ambitious brain scientists have begun to explore the neural correlates of such experiences. The notion of aesthetics is generallylinked to the way art evokes an hedonic response--we like it or we don't. Of course, a multitude of factors can influence such judgments, such as personal interest, past experience, prior knowledge,and cultural biases. In this book, philosophers, psychologists, and neuroscientists were asked to address the nature of aesthetic experiences from their own discipline's perspective. In particular, we asked these scholars to consider whether a multidisciplinary approach, an aesthetic science, could help connect mind, brain, and aesthetics. As such, this book offers an introduction to the way art is perceived, interpreted, and felt and approaches these mindful events from a multidisciplinaryperspective. This book offers an introduction to the way art is perceived, interpreted, and felt and approaches these mindful events from a multidisciplinary perspective. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780199355808
Quantity: 1 available