Screen Histories: A Reader offers a selection of some of the best work on the varied and changing notions of the category 'history' in screen studies published in Screen during the last twenty years. The book brings together important work in this area at a time when 'history' is an increasingly contested category within academic debate. It includes interventions on the conceptualization of history in studies of screen institutions, technologies, discourses, texts, and audiences.
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Screen Histories: A 'Screen' Reader offers a selection of some of the best work on the varied and changing notions of the category 'history' in screen studies published in Screen in the last twenty years. The book brings together important work in this area at a time when 'history' is an increasingly contested category within academic debate. It includes interventions on the conceptualization of history in studies of screen institutions, technologies, discourses, texts, and audiences. In addition, the varied meanings of the concept of history for film and television studies in both Britain and the USA are represented and fully explored. L The book includes contributions by established scholars in the field and work by new researchers whose work bids fair to shift the entire agenda of screen historiography. It challenges the boundaries conventionally raised between history and other areas of screen study (such as textual analysis and audience ethnography), and indeed between history and theory, and many of the contributions confirm the key role being played by theoretically sophisticated historical work in the development of film and television studies as a whole.
Annette Kuhn is at Lancaster University. Jackie Stacey is at Lancaster University.
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Condition: Gut. 233 S. Einband leicht berieben. - From Exhibition to Reception: Reflections on the Audience in Film History ROBERT C.ALLEN -- Hollywood Memories Jackie Stacey -- The 'Popular', Cash, and Culture in the Postwar British Cinema Industry JANET THUMIM -- Scenarios of Exposure in the Practice of Everyday Life: Women in the Cinema of Attractions CONSTANCE BALIDES -- The Proletarian Woman's Film of the 1930s: Contending with Censorship and Entertainment MARY BETH HARALOVICH -- The Married Love Affair ANNETTE KUHN -- Copyright Protection in Theatre, Vaudeville, and Early Cinema JEANNE ALLEN -- 'Spread like a Monster Blanket over the Country': CBS and Television, 1929-1933 WILLIAM BODDY -- Writing the History of the American Film Industry: Warner Bros and Sound DOUGLAS GOMERY -- The Disney-Fleischer Dilemma: Product Differentiation and Technological Innovation MARK LANGER -- Baby Face, or how Joe Breen made Barbara Stanwyck atone for causing the Wall Street Crash RICHARD MALTBY -- A Scene at the 'Movies': The Development of Narrative Perspective in Early Cinema BEN BREWSTER -- Narrative/Diegesis: Thresholds, Limits NOËL BURCH -- Heard over the Phone: The Lonely Villa and the de Lordé Tradition of the Terrors of Technology TOM GUNNING -- Appendix: Screen History in Screen, 1972-1997. ISBN 9780198159490 Sprache: Englisch Gewicht in Gramm: 550 Fadengehefteter Originalpappband mit Schutzumschlag. Seller Inventory # 1037019
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