The aim of this treatise is to explain the singular fascination ancient Greek tragedians felt for the non-Greek, "barbaric" world. It sets Greek drama against the historical background of the Panhellenic wars with Persia and the establishment of an Athenian empire based on democracy and slavery. The plays are also set in the context of contemporary anthropology and political philosophy, thus revealing how the poets conceptualized the barbarian as the negative embodiment of Athenian civic ideals. By comparing the treatment of foreigners in Homer and tragedy, the author explains how the new dimension which the idea of the barbarian brought to the Greek tragic theatre radically affected the poets' interpretation of myth and their evocation of the distant past. The dissertation out of which this book was developed won the Hellenic Foundation's prize for the best doctoral thesis in ancient Greek studies in the UK and Republic of Ireland, 1988.
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`she sets out the important considerations with great clarity ... this is a thorough, well-researched and broadly convincing book ... an impressive piece of work.'Classical Review
`Dr Hall offers a careful survey of the archaic background, enlivened by much shrewd observation. It is no criticism of this learned and lively book to observe that it suggests more questions than it answers.' Times Literary Supplement
`a most impressive analysis of ancient Greek ethnocentrism' Greece & Rome
'H. presents her case with great skill and learning. Her scholarship is meticulous but not stodgy, and the argument is constantly enriched with references to comparative material on ethnicity drawn from a wide range of historical and social contexts'.R.G.A. Buxton, Journal of Hellinic Studies'.
'a beautiful book which developed out of the author's PhD-thesis. It is elegantly produced, provided with an elaborate bibliography, an index of passages cited and a general index ... well-argued and carefully referenced text ... an important contribution to both Athenian history and Persian history.'Heleen Sancisi-Weerdenburg, Rijksuniversiteit Utrecht, De Novis Libris Judicia
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Condition: Sehr Gut. Zustandsbeschreibung: textsauberes Exemplar mit leichten Gebrauchsspuren, berieben mit leichter Randlädierung/clean text pages, minor traces of use, rubbed with slight damage to the edge. Greek Self-definition Through Tragedy. The aim of the treatise is to explain the singular fascination ancient Greek tragedians felt for the non-Greek, "barbaric" world. Edith Hall sets Greek drama against the historical background of the Panhellenic wars with Persia and the establishment of an Athenian empire based on democracy and slavery. The plays are also set in the context of contemporary anthropology and political philosophy, thus revealing how the poets conceptualized the barbarian as the negative embodiment of Athenian civic ideals. By comparing the treatment of foreigners in Homer and tragedy, the author explains how the new dimension which the idea of the barbarian brought to the Greek tragic theatre radically affected the poets' interpretation of myth and their evocation of the distant past. XVI,277 Seiten, gebunden (Oxford Classical Monographs/Clarendon Press/Oxford University Press 1989). Gewicht: 494 g - Gebunden/Gebundene Ausgabe - Sprache: Englisch. Seller Inventory # 501489
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Hardcover. Condition: Very Good. Dust jacket shows some scuffing around edges. Seller Inventory # mon0000001792
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