In Making Magic, Randall Styers seeks to account for the extraordinary vitality of scholarly discourse purporting to define and explain magic despite its failure to do just that. He argues that this persistence can best be explained in light of the Western drive to establish and secure distinctive norms for modern identity, norms based on narrow forms of instrumental rationality, industrious labor, rigidly defined sexual roles, and the containment of wayward forms of desire.
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Magic has always been a marginal, umbrageous subject. Despite numerous attempts, no philosopher, scientific observer, or cultural theoretician has managed to describe its essential nature or to circumscribe its proper boundaries-and no wonder. The virtue of Randall Styers compelling study is not that it finally succeeds in defining magic with clarity-an impossible and patently misguided objective. Instead, through a meticulous and incisive examination of the major and minor writers on the subject, Styers shows that the highly pliable, always shifty, devious, and problematic category of magic has been an extremely effective device with which to define and to empower that which it is not: religion proper, (real) science, rationality, modernity. The result, then, is far from marginal. (Tomoko Masuzawa, University of Michigan)
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Seller: Windows Booksellers, Eugene, OR, U.S.A.
Paperback. Wear on all edges of text. Cover slightly worn on corners and facing. Otherwise VG 290 pp. Seller Inventory # 759548
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Condition: Good. : En 'Making Magic', Randall Styers explora la vitalidad del discurso académico que intenta definir y explicar la magia, a pesar de su fracaso en lograrlo. Argumenta que esta persistencia se explica mejor a la luz del impulso occidental por establecer y asegurar su propia identidad como normativa. El libro examina cómo la magia ha servido para designar una forma de alteridad o desviación contra la cual las nociones occidentales dominantes de piedad religiosa apropiada, racionalidad científica legítima y relaciones sociales ordenadas se ponen de relieve. Los académicos han encontrado en la magia una herramienta invaluable en sus esfuerzos por definir los límites apropiados de la religión y la ciencia. En un nivel más amplio, el pensamiento mágico ha servido como un importante contraste para la modernidad misma. EAN: 9780195169416 Tipo: Libros Categoría: Religión y Espiritualidad|Ciencia Ficción|Filosofía Título: Making Magic Autor: Randall Styers Editorial: Oxford University Press USA Idioma: en Páginas: 304 Formato: tapa blanda. Seller Inventory # Happ-2025-12-02-0a732db9
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Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New. First Edition. Since the emergence of religious studies and the social sciences as academic disciplines, the idea of "magic" has played a major role in defining religion and in mediating the relation of religion to science. Across these disciplines, magic has regularly been configured as a definitively non-modern phenomenon, juxtaposed to the distinctly modern models of religion and science. As a category, however, magic has remained stubbornly amorphous. In Making Magic, Randall Styers seeks to account for the extraordinary vitality of scholarly discourse purporting to define and explain magic despite its failure to do just that. He argues that it can best be explained in light of the European and Euro-American drive to establish and secure their own identity as normative: rational-scientific, judicial-ethical, industrious, productive, and heterosexual. Magic has served to designate a form of alterity or deviance against which dominant Western notions of appropriate religious piety, legitimate scientific rationality, and orderly social relations are brought into relief. Seller Inventory # LU-9780195169416
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Seller: Pórtico [Portico], ZARAGOZA, Z, Spain
Encuadernación de tapa blanda. Condition: Nuevo. STYERS, R.: MAKING MAGIC. RELIGION, MAGIC, AND SCIENCE IN THE MODERN WORLD. OXFORD, 2004, vii 290 p. , 440 gr. Encuadernacion original. Nuevo. (JA-2-5) 440 gr. Libro. Seller Inventory # 353755
Seller: Ria Christie Collections, Uxbridge, United Kingdom
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