Entangled Voices: Genre and the Religious Construction of the Self - Hardcover

Ruf, Frederick J.

Hardcover

ISBN 10: 0195102630 ISBN 13: 9780195102635

Publisher: OUP USA, 1997

Synopsis

In this book, Ruf tries to understand how the concepts of "voice" and "genre" function in texts, especially religious texts. To this end, he joins literary theorists in the discussion about "narrative". Ruf rejects the idea of genre as a fixed historical form that serves as a template for readers and writers; instead, he suggests that we imagine different genres, whether narrative, lyric, or dramatic, as the expression of different voices. Each voice, he asserts, possesses different key qualities: embodiment, sociality, contextuality, and opacity in the dramatic voice; intimacy, limitation, urgency in lyric; and a "magisterial" quality of comprehensiveness and cohesiveness in narrative. These voices are models for our selves, composing an unruly and unstable multiplicity of selves. Ruf applies his theory of "voice" and "genre" to five texts: Dineson's Out of Africa, Donne's Holy Sonnets, Primo Levi's The Periodic Table, Robert Wilson's Einstein on the Beach, and Coleridge's Biographia Literaria. Through these literary works, he discerns the detailed ways in which a text constructs a voice and, in the process, a self. More importantly, Ruf demonstrates that this process is a religious one, fulfilling the function that religions traditionally assume: that of defining the self and its world.

About this title

About the Author

Frederick J. Ruf is Associate Professor of Theology at Georgetown University.

From the Back Cover

In this book, Ruf tries to understand how the concepts of "voice" and "genre" function in texts. To this end, he joins literary theorists in the discussion about "narrative". Ruf rejects the idea of genre as a fixed historical form that serves as a template for readers and writers; instead, he suggests that we imagine different genres, whether narrative, lyric, or dramatic, as the expression of different voices. Each voice, he asserts, possesses different key qualities: embodiment, sociality, contextuality, and opacity in the dramatic voice; intimacy, limitation, urgency in lyric; and a "magisterial" quality of comprehensiveness and cohesiveness in narrative. These voices are models for our selves, composing an unruly and unstable multiplicity of selves. Ruf applies his theory of "voice" and "genre" to five texts: Dineson's Out of Africa, Donne's Holy Sonnets, Primo Levi's The Periodic Table, Robert Wilson's Einstein on the Beach, and Coleridge's Biographia Literaria. Through these literary works, he discerns the detailed ways in which a text constructs a voice and, in the process, a self. More importantly, Ruf demonstrates that this process is a religious one, fulfilling the function that religions traditionally assume: that of defining the self and its world.

Edition details

• Publisher: OUP USA
• Publication date: 1997
• Language: English
• ISBN 10: 0195102630
• ISBN 13: 9780195102635
• Binding: Hardcover
• Number of pages: 136